1984-George Orwell How does the writer usage language to produce a local color? Orwell utilizes a solemn tone for the foundations of distress in the extract from Nineteen Eighty-Four. This tone is utilized to first of all set the scene with making use of adjectives: ‘vile’ and gritty’ to describe the poor weather condition. These have negative connotations and therefore permit the reader to understand the melancholy and dismal scene that is being set.
The result of the useless fallacy when the wind is described as ‘repellent’ portrays a comfortlessness of the world around Winston however likewise reflects his underlying sensations of disgust with it.
The irony of the name of his home block ‘Triumph Mansions’ reiterates these sensations as ‘Triumph’ implies happiness and pleasure when all he experiences is harshness, and ‘Luxury’ suggests ease and wealth when he leads a life of dilapidation and squalor. As the description continues into the hallway of his house block, the sense of place is dealt with by the poster on the wall. It is explained as being ‘too big for indoor display’ and illustrating ‘just a huge face’.
The size of the poster, stressed by the adjectives: ‘large’ and ‘massive’ highlight the real reason for the poster; mostly for control. This shows the sense of state power and oppression of the individual in Winston’s world. This sense of control is emphasised again later on in extract when we discover the caption under the poster reads: ‘BIG SIBLING IS WATCHING YOU’. The direct item pronoun ‘you’ customises the poster to the immediate viewer and for that reason together with the discussion of the words being in capitals makes it more effective.
Overall the poster therefore shows the hostility of the place where Winston is and their lack of flexibility. Orwell provides a sensible representation of Winston as he rises up the stairs to his flat. The ‘varicose ulcer above his best ankle’ might be viewed as a manifestation for his repression, and suffering through a life of adversity and chaos. This is stressed by the reality that he needed to rest ‘several times’, which is extremely unusual for a guy as young as ‘thirty nine’. This portrays an image of an overworked miserable and lonesome guy living in a tortured presence. William May