1984-George Orwell How Does the Writer Use Language to Create a Sense of Place?

1984-George Orwell How Does the Author Usage Language to Create a Local Color?

1984-George Orwell How does the author use language to develop a local color? Orwell utilizes a solemn tone for the structures of suffering in the extract from Nineteen Eighty-Four. This tone is utilized to firstly set the scene with the use of adjectives: ‘vile’ and gritty’ to explain the poor weather. These have unfavorable connotations and for that reason allow the reader to comprehend the melancholy and depressing scene that is being set. The result of the pathetic fallacy when the wind is referred to as ‘repellent’ represents a comfortlessness of the world around Winston but likewise shows his underlying feelings of disgust with it.

The irony of the name of his apartment or condo block ‘Success Mansions’ restates these feelings as ‘Success’ implies joy and delight when all he experiences is cruelty, and ‘High-end’ implies ease and wealth when he leads a life of dilapidation and squalor. As the description continues into the corridor of his apartment or condo block, the local color is attended to by the poster on the wall. It is described as being ‘too big for indoor screen’ and portraying ‘merely a massive face’.

The size of the poster, stressed by the adjectives: ‘large’ and ‘enormous’ show the true factor for the poster; primarily for control. This shows the sense of state power and oppression of the person in Winston’s world. This sense of control is stressed again later in extract when we find the caption under the poster checks out: ‘BIG BROTHER IS WATCHING YOU’. The direct things pronoun ‘you’ personalises the poster to the immediate viewer and therefore in addition to the discussion of the words being in capitals makes it more effective.

In general the poster for that reason shows the hostility of the location where Winston is and their absence of freedom. Orwell provides a reasonable representation of Winston as he rises up the stairs to his flat. The ‘varicose ulcer above his best ankle’ could be seen as a manifestation for his repression, and suffering through a life of adversity and chaos. This is emphasised by the fact that he needed to rest ‘several times’, which is very uncommon for a male as young as ‘thirty nine’. This portrays an image of an overworked miserable and lonesome guy inhabiting a tortured presence. William May