1984 George Orwell: How is irony used in Ch. 1

1984 George Orwell: How is irony utilized in Ch. 1

Throughout Chapter 1 of 1984, the reader is exposed to the lots of kinds of adjustment that the federal government utilizes to manage individuals of Oceania. The Celebration utilizes numerous examples of verbal and remarkable paradox as part of its project to exercise its supremacy over the people and control their day-to-day actions. Verbal paradox, an incongruity that has a deeper significance than the surface significance, is shown throughout the society of 1984 in Chapter 1. The primary style of this chapter deals with Winston’s desire to document his deeply felt ideas about the Celebration.

Winston is scared to open his journal since he is frightened of being “penalized by death, or at least by twenty-five years in a forced-labor camp” (9 ). This takes place to be ironic due to the fact that the Party has actually stated that absolutely nothing is illegal, “there were no longer any laws” (9 ). Everybody in Oceania, where Winston lives, is scared of breaking numerous laws, none of which exist. Many individuals are frightened of what is not familiar to them. The Party, not saying a word, manages the people of Oceania, causing them to live their lives in constant worry.

Spoken paradox, which the Celebration forces on the people, is found throughout the society of 1984 in Chapter 1 and in later chapters throughout the book. In addition to verbal irony, dramatic irony, which takes place when the characters are not aware of what the audience understands, is also discovered throughout Chapter 1. For example, the name of Winston’s house, Success Mansions, is very paradoxical because its name indicates that it is precisely the reverse of what actually exists there. Its name makes it seem extremely great and lovely, yet making use of the enjoyable name is utilized as another indicates to manipulate the minds of individuals. The hallway smelt of boiled cabbage and old rag mats” (5 ),” [the lift] was seldom working” (5 ), and a great deal of dust swirled inside as Winston hustled into the structure. The name, Triumph Mansions, has no similarity to the shape that it is in and most of the characters, except Winston, appear entirely comfortable with this incongruity. Another instance of this sort of paradox exists with the names of the ministries. The Ministry of Peace, Minipax, is not involved with peace, however rather, with war, the specific opposite. Similarly, the

Ministry of Fact, Minitrue, is included with the news, which, as portrayed in later chapters, tells absolutely nothing but lies. The audience recognizes that these names do not make good sense, but the people of Oceania do not recognize it. In fact, the newspeak names of these two ministries both begin with mini, meaning little or little. It is an additional example of the irony utilized throughout that the ministry, Minipax, which is expected to be concerned with peace, in fact has really little issue for peace. Also, Minitrue has very little concern with reality.

One last example of dramatic irony is revealed with the slogan of Big Brother: “WAR IS PEACE, LIBERTY IS SLAVERY, LACK OF KNOWLEDGE IS STRENGTH” (7 ). Individuals of Oceania live by Big Sibling’s motto, which is discovered all over around the city, along with the image of Big Sibling and his following eyes. War does not equal peace and freedom does not equal slavery; they are specific revers. The people of 1984 do not recognize that this slogan does not make good sense, but the reader does. The people of Oceania are unknowledgeable of the power of Big Bro and the Celebration, and the many manner ins which their minds and actions are controlled.

The characters are unknowing of many things surrounding them including how the Party urges the lack of knowledge of the dramatic paradox in society. Many aspects of the city, including its features, structures, and general environments, interact to manipulate individuals’s minds using different examples of dramatic and spoken paradox. Considering that the people of 1984 are constantly controlled by Huge Brother and the telescreens, they are never ever provided the time or opportunity to believe on their own or see that their entire town is filled with paradox.