Gilman portrays a spouse trying to cure his spouse of her anxiety by letting her rest alone, however, this has the opposite impact by more exacerbating her illness and her psychosis. Her environment, with the yellow wallpaper, can be viewed as the reason for this mental decline by taking a look at her disease, coping styles and the symbolism throughout the story. Gilman presents the protagonist as a female whose psychological health is decreasing throughout the entire story, and whose health problem has actually turned into something even more serious than it was initially.
Depression can be seen in the narrator’s case through journal entries such as, “I sob at absolutely nothing, I cry at everything” (491 ). Through the a number of discusses of an infant, and the storyteller as being not able to look after this infant, it appears as though the hysteria to which her other half was referring could be due to postpartum depression. Although it makes the unnamed storyteller anxious to not have the ability to take care of the child, she ultimately sees that it is far much better by doing this, when she says “I never considered it in the past, however it is fortunate that John kept me here after all; I can stand it a lot simpler than a baby, you see” (489, 492).
If the narrator’s health problem began as a case of anxiety, it certainly turns into something far more major. Through her journal entries, her hallucinations or visualizations of other females in the yellow wallpaper can be seen. “Sometimes I think there are an excellent numerous women behind, and often just one, and she crawls around quickly, and her crawling shakes it all over,” illustrates the storyteller as seeing ladies, not just in the wallpaper, however also outside in the garden (495 ). These hallucinations, together with her bvious fixation and obsessive nature towards the yellow wallpaper as the sole topic in her journal entries, can be seen as advancement into a case of schizophrenia. Freud’s theory of the character being divided into the conscious and the subconscious mind can likewise be addressed within this story. Through the language Gilman uses when the storyteller begins to tear down the paper, “I pulled and she shook. I shook and she pulled …” (496 ), the battle in between the conscious and subconscious can be seen.
Also, the personification of the wallpaper through this language, such as when she is starting to rip it down and “it enjoys it” and “squeals” (496 ), can further demonstrate the psychosis to which the storyteller is entering into. Through Gilman’s usage of plot and language, it is seen that the storyteller’s mental health is declining every day even if she, or her husband, does not see it; various coping designs are utilized in order to handle this evident mental decrease.
From a mental viewpoint, there are lots of coping systems that can be utilized when dealing with psychological illness or issues, and in the story, “The Yellow Wallpaper,” there are various views towards these different coping techniques. John, the storyteller’s spouse, thinks that the storyteller, suffering from “short-lived anxious depression,” must be “forbidden to ‘work’,” while she believes that “congenial work, with enjoyment and change, would do me [her] good” (487, 488).
There are likewise differences in the attitudes towards the storyteller writing in her journal. For lots of people, composing or doing other imaginative activities, can be an excellent coping method, nevertheless, this is not what John thinks; as the narrator says; “he dislikes to have me compose a word” (489 ). The unnamed protagonist composes in spite of the objections to her doing so, as it creates an outlet for her and “it would alleviate the press of concepts and rest me” (490 ). Through this alone, the distinction in coping designs can be seen.
There is also a difference in how the couple handle the better half’s disease within themselves. Freud competed that there are numerous defense mechanisms that human beings use to handle their own issues, such as repression, regression, denial and suppression. Throughout the story, both the narrator and John use these defense mechanisms. In the beginning, the narrator can be viewed as showing repression– there is no recognized reason for her to be ill, nor does she inform the readers any factor.
John starts to treat his other half like a child of his own, instead of an adult female, through his overprotective nature and words like “blessed little goose” and “little lady” (489, 492), which might be an example of regression. Near the end of the story, although the storyteller is still experiencing the hallucinations, she expresses rejection when she thinks she is “feeling a lot better” (494) and her unstable fascinations with the wallpaper can be credited to her suppressing other facets of her life.
Both John and his spouse display many distinctions in coping styles when it pertains to the storyteller’s psychological health problems, and this might extend the disease; the meaning in the story highlights the problems that she is trying to deal with. Gilman’s use of importance throughout the story of “The Yellow Wallpaper,” depicts the issues that the storyteller is trying to cope with. The storyteller’s response to the color of the wallpaper can be translated as a sign for her life, with her declaration “no surprise the children hated it” (489 ); the ugly colored wallpaper being a sign for her dreary and sad life.
The wallpaper is really symbolic, even in regards to its style. First, the storyteller explains the pattern after she studies the curves as they “suddenly commit suicide– plunge off in outrageous angles, destroy themselves in unheard-of contradictions” (489) which can signify her mental health damaging her and the contradictions she is facing in herself. By night, the pattern “ends up being bars” and the “lady behind it is as plain as can be” (493 ). The bars mention her feelings of entrapment in the room, your home, in her marriage with her overprotective spouse, and even within her life.
Even the plain lady behind the bars that the narrator sees can be seen as another manifestation of herself. The fact that the author chose to keep the narrator unnamed, may exemplify these sensations of unimportance or anonymity even further. Ultimately, when the narrator locks herself in the room to tear off the wallpaper shouting, “I’ve got out at last … and I have actually pulled off most of the paper, so you can’t put me back!” (497 ), symbolizes her pursuit of flexibility from the cage of her life.
The meaning that Gilman conveys throughout the story is an extremely important aspect when taking a look at the psychology of the lead character, and the advancement of her mental health. Psychological illness are plainly obvious for the lead character in the story of “The Yellow Wallpaper,” and by taking a look at this illness, coping designs, and at the meaning throughout the story, the development of these issues can be seen; while her husband is putting in his efforts to cure her of this issue by permitting her to rest, he is really intensifying the problems.
Everyone has various methods of handling issues that have been tossed at them, and it depends on each individual person to figure out what these coping methods are, rather than being pushed into particular approaches. Psychological illness are common, and coping designs for these problems are exceptionally diverse; however discomfort can be minimized, it just takes personal strength.