A Raisin in the Sun Character Essay
Mia Battaglia Ms. McCreary Formality English 11 August 1, 2013 Set throughout the 1950’s in Chicago, A Raisin in the Sun by Lorraine Hansberry features the Youngers, a hardworking African American family having a hard time to get their dreams. The members of the family include Lena younger, or Mom, her child and son Beneatha and Walter, Walter’s other half Ruth, and their boy Travis. The most pivotal characters in the story are the three generations of ladies, Beneatha, Ruth, and Mom. Each female exudes various attributes which drives the plot in various directions, forming the outcome of the story.
The youngest and most independent of the females is the child of Mama, Beneatha Younger. She prides herself on being individualistic and is really ambitious as she aspires to become a medical professional: WALTER. I’m interested in you. Something incorrect with that? Ain’t numerous girls who nnnnnnnnndecide- WALTER and BENEATHA (in unison)– “to be a medical professional.” (36 ). The other member of the family are hesitant of this goal due to the fact that of the expense and the trouble of acquiring this position. Also, Beneatha’s egoism triggers her to not understand how much her household sacrifices for her to become a medical professional: BENEATHA.
I have actually never asked anybody around here to do anything for me! WALTER. No! And the line in between asking and simply accepting when the time comes is xxxbig and wide– ain’t it! (37 ). However, towards the end, Beneatha’s partner Asagai helps her understand that she was dependent on her household and the insurance coverage money from her father’s death: “Then isn’t there something wrong in a house– in a world– where all dreams, excellent or bad, must depend on the death of a male?” (135 ). To again instill Beneatha’s optimistic nature, Asagai recommends for her to get her degree and be a physician in Africa.
This lends Beneatha the chance to find herself and obtain her dream in a distinct manner in which reflects her non-conforming personality. Once Beneatha recognizes that her dream to be a medical professional does not depend on the insurance coverage cash, her bond with her household reinforces. They can now welcome their fresh future in a new home with optimism and hope. Ruth Younger is unlike the stereotyped 1950’s homemaker. She is constantly striving beyond your home to make up for the family’s monetary troubles. Unlike Beneatha, these situations with cash hit Ruth the hardest.
She appreciates her family and offering it. This is the factor she postures the option of having an abortion. Mama thoroughly describes the circumstance when she intentionally states, “When the world gets unsightly enough– a female will do anything for her household. The part that’s already living (75 ). Dissimilar to Mama, Ruth would sacrifice her kid to keep her family safe. Instead of having an optimistic and positive outlook on life like Beneatha, Ruth is rather pessimistic and sensible in her ideas and actions.
This triggers her to suggest aborting the child, although it an excruciating choice that takes a toll on her. Nevertheless, once the decision is final that they are vacating the home, her feelings deviate and Ruth is lastly delighted and positive about their future in the new house. Tradition, respect, and pride describe the primary qualities of Mama. Throughout the play, she attempts to impart these views into her kids as well. This is exhibited when Walter states he is going to accept Mr.
Lindner’s offer of the cash and Mom states: “Son– I originate from five generations of people who was slaves and sharecroppers– however ain’t no one in my family never let nobody pay ’em no cash that was a method of informing us we wasn’t fit to stroll the earth. We ain’t never ever been that bad. (raising her eyes and taking a look at him) we ain’t never ever been that– dead within” (143 ). Nevertheless, at the end of the play, Walter does not end up taking the kickback and the family moves into the brand-new home displaying the household’s pride. Mother is likewise a very nurturing character and this is revealed by her look after her children, Travis, Ruth, and even her wilted plant.
Although Mother’s traditional views decline Ruth’s idea of terminating her kid, Mom still consoles Ruth and is comprehending enough to support her. Ruth and Mom are comparable in the element that they are both caring and supplying characters for the household. Nevertheless mom’s standard views are much unlike Beneatha’s. Declarations claiming her disbelief in God’s existence anger Mother. Pride and old-fashioned views cause Mama to be a climactic character. She has a terrific influence on the other characters and eventually decides the fate of the story.
In the end, the household moves into their new home, Ruth is not going to have the abortion, and Beneatha’s marriage proposal is still up in the air but a hopeful choice. The decisions and actions made by these ladies are all originated from the overlying style of dreams. Mother dreams for joy for her children, Beneatha dreams to help individuals by ending up being a medical professional, and Ruth dreams of stability and joy for Travis. Although these females matured in various times with various view-points and opinions, they are all alike in the fact that they believe dreams can come to life.