Baz Lurhman’s Romeo and Juliet- Use of costuming

Baz Lurhman’s Romeo and Juliet- Usage of costuming

The costuming throughout the movie has been changed into modern-day clothes. The costuming worn at the Capulet’s celebration represents the position of the wearer in many different ways. Juliet and Romeo are typically seen in white. Romeo appears in mainly blue tones or pale silvers while Juliet’s signature is pure white. Simple tones would emphasize that they are, in a way, like specters, the ones whose hang on life is the most tenuous. The white colour represents their beautiful, vibrant and pure nature and produces a strong contrast with individuals around them. In this scene, Romeo is impersonated a knight and Juliet as an angel.

This visualizes what Shakespeare is implying– that Romeo sees himself as a knight in shining armour, which for now, Juliet is his pedestal for perfection, it also shows the paradox of Shakespeare’s implications by elaborating it into images, supplemented by outfits, lighting and music. Juliet’s white angel costume illustrates the principle of Juliet being so beautiful and pure that she is much like an angel and the colour white symbolises that she is extremely innocent and ignorant. Romeo’s knight costume displays his youthful character, looking for his love.

Paris is an astronaut to show that his best nature and how he is “a guy of wax” and is so perfect that he seems out of this world and likewise links him metonymically to the incredible Juliet. Tybalt is dressed in a devil clothing with devil horns accompanied by his two “cronies” dressed as white-faced skeletons acts as a “foreshadowing for his violent end. It also tells the audience that they are the evil villains in this film. Capulet is dressed in a purple toga, symbolising a royal roman emperor who is really powerful and can do whatever he likes.

Girl Capulet is using a Cleopatra costume which exposes her anxiety worrying her waning beauty and her vicarious satisfaction at thought of her child wedding Paris. Her costume also recommends that she is not a loyal female, and like Cleopatra, is famous for cheating. Benvolio’s monk outfit exhibits his function as peacemaker. Mercutio is impersonated a cross cabinet to suggest that he is not on any side of the fight in between the Montagues and Capulets. When they satisfy for the second time after the celebration, Juliet no longer has her wings and Romeo has actually taken off his mask and armor, but part of their outfits still remains.

This is to reveal that they have actually exposed the sensations for each other. The Montague/Capulet kids, on the other hand, offer a decidedly garish contrast to Romeo and Juliet. We see Romeo and his good friends Mercutio and Benvolio worn vibrant Hawaiian shirts and shorts at the beach. This reveals that they are dynamic and invented their own way of wearing clothing to suit the environment and the environments. Their hair was very short and the rich Hawaiian-style shirts which were extremely vibrant and vibrant, made everybody understand who they were.

The option of costumes likewise aid in presenting the characters to the audience. Each one is dressed in a manner in which straight shows his or her function in the story, hence making it simpler to comprehend not only this scene, however also the characterization of these individuals throughout. Tybalt and his other fellow Capulets are typically dressed in black, using ornamental and costly pieces of clothes, and bullet-proof vests have actually ended up being needed accessories. This symbolises their evil, wicked characters beneath their more manicured and preening look.