Characterization of Curley’s Wife from John Steinbeck’s “Of Mice and Men”

Characterization of Curley’s Spouse from John Steinbeck’s “Of Mice and Guy”

characterization: Curley’s Wife in Of Mice And Guy With vibrant declarations like “She had complete, rouged lips and wide-spaced eyes, greatly comprised. Her fingernails were red. Her hair awaited little rolled clusters, like sausages. She used a cotton gown and red mules, on the insteps of which were little arrangements of red ostrich plumes” (John Steinbeck, 31), Curley’s spouse is among the more clearly represented characters in Of Mice and Male.

Although Steinbeck leaves nearly absolutely nothing to the imagination about this female, he selects to regularly refer to her as ‘Curley’s Spouse’ rather than offering her a name or a label like he has actually finished with most of the other characters. Through indirect and direct characterization the reader finds that this woman was not just a ticket to problem like the workers on her father-in-law’s ranch thought, however a woman stuck in a life where she didn’t belong. Curley’s wife, who was exceptionally lonely, was constantly ‘heavily made up’ even when she survived on the cattle ranch where George and Lennie worked.

Although typically she was thought of as a floozy, her talk with Lennie exposed that she was utilized to the high life. When her moms and dads forbade her to enter into the acting company, as she so wanted, she married Curley, the very first guy who provided her something other than fame, in order to get away from her overbearing household (Steinbeck, 88). Although since of this choice she was forced to invest her life on a cattle ranch filled with underclass workers, she still liked to make herself approximately constantly remind herself that she had actually had the possible to be something much better.

To her, dressing up and flaunting her things was a sign of status, something to set her apart from the remainder of the lower class, which, even today, is very little different. Fashion magazines, television, and the general media still lead the public to think that style directly connects to the quantity of wealth or power somebody has. When style patterns alter by the minute, it is normally thought that everything from wealth to sophistication is shown when someone has the ability to stay up to date with them (Appendix A).

Curley’s partner thought about always looking nice as a constant tip that she had actually as soon as been considered good enough to go into the film organisation and might have been something better than the boss’s boy’s wife. Another reason Curley’s wife was constantly made up and wondering around the ranch was that she was lonesome. With Curley always gone and having absolutely nothing in typical with her, she had nobody to keep her business and was forced to try to find attention among the workers, who had actually long given that learned to keep away from the boss’s daughter-in-law. ‘Amusing thing,’ she said. ‘If I catch any one man, and he’s alone, I get along great with him. However just let 2 of the people get together an’ you won’t talk. Jus’ nothing however mad'” (Steinbeck, 77). Although Curley was really over-protective of his better half, he didn’t tend to her needs so she moseyed around trying to find something to do or somebody to talk to during the day. And although all she wanted was the attention Curley didn’t give her, the guys in the ranch understood that speaking to her would only lead to trouble. Well, I aint offering you no trouble. Think I do not like to talk with someone ever’ every so often? Believe I like to remain your house alla time? ‘” Curley’s other half had all the extra time worldwide, and invests it making herself look as good as she can (Appendix B) and flaunts her body to anyone who will look. She desperately seeks attention and recommendation that she’s still got the appearances that attracted all sorts of men to her before.

Steinbeck selected not to give Curley’s partner a real name since she was never ever able to make a name for herself; she was forced into a life where she was restricted and not able to pursue her real dreams. She clearly wasn’t pleased with her life living inside Curley’s cattle ranch; she wasn’t suggested to be the normal woman of that time who stays at house doing the cooking and cleaning for her spouse. “… ‘Well, a program came through, an’ I satisfied one of the stars. He states I could go with that show. However my ol’ girl wouldn’ let me. She states since I was on’y fifteen'”(Steinbeck, 88).

Curley’s spouse frantically tries to reveal Lennie that she was much better than this cattle ranch; that she wasn’t typical like the remainder of the individuals there which it was by fault that she was living where she was now. She needed to leave that ranch and pursue her dreams now that she was old enough to make her own choices. She needed a ticket out of that city so she could go to Hollywood and go far for herself (Appendix C). Although Curly’s better half’s character was represented completely by John Steinbeck, she was never provided a complete name since her character isn’t complete.

She was missing something; she wasn’t in her rightful location. Curley’s better half wasn’t meant to live her life on the ranch, and her character wasn’t completed since of it. Steinbeck revealed this the only concrete method he could, with the absence of a name for her. She wasn’t like the rest of the individuals on the ranch, with a name or nickname; she was described as ‘Curley’s Partner’. She stuck out by the fact that she was the only lady on the cattle ranch, she was the only one who dressed to impress, and she was the only individual without a complete name. She didn’t belong and even if she had actually lived she never would.