Characterization of Curley’s Wife from John Steinbeck’s “Of Mice and Men”

Characterization of Curley’s Other half from John Steinbeck’s “Of Mice and Men”

characterization: Curley’s Partner in Of Mice And Male With vibrant statements like “She had full, rouged lips and wide-spaced eyes, heavily made up. Her fingernails were red. Her hair hung in little rolled clusters, like sausages. She used a cotton dress and red mules, on the insteps of which were little bouquets of red ostrich plumes” (John Steinbeck, 31), Curley’s other half is among the more strongly portrayed characters in Of Mice and Men.

Although Steinbeck leaves almost nothing to the imagination about this female, he selects to regularly refer to her as ‘Curley’s Other half’ rather than offering her a name or a nickname like he has actually done with the majority of the other characters. Through indirect and direct characterization the reader discovers that this female was not just a ticket to trouble like the workers on her father-in-law’s ranch believed, but a woman stuck in a life where she didn’t belong. Curley’s wife, who was extremely lonely, was constantly ‘greatly comprised’ even when she lived on the ranch where George and Lennie worked.

Although typically she was considered a floozy, her talk with Lennie exposed that she was used to the high life. When her moms and dads prohibited her to enter into the acting service, as she so wanted, she wed Curley, the very first man who provided her something aside from fame, in order to get away from her overbearing family (Steinbeck, 88). Although due to the fact that of this decision she was forced to invest her life on a cattle ranch loaded with underclass workers, she still liked to make herself up to continuously advise herself that she had had the possible to be something much better.

To her, dressing up and flaunting her stuff was a sign of status, something to set her apart from the rest of the lower class, which, even today, is not much different. Fashion publications, television, and the general media still lead the public to believe that design straight links to the amount of wealth or power someone has. When style patterns alter by the minute, it is usually believed that everything from wealth to elegance is shown when somebody has the ability to stay up to date with them (Appendix A).

Curley’s spouse considered always looking presentable as a continuous tip that she had actually once been considered good enough to enter into the film organisation and might have been something better than the one in charge’s kid’s wife. Another reason Curley’s partner was constantly comprised and wondering around the ranch was that she was lonely. With Curley always gone and having absolutely nothing in common with her, she had no one to keep her company and was forced to try to find attention amongst the employees, who had long given that found out to keep away from the one in charge’s daughter-in-law. ‘Amusing thing,’ she stated. ‘If I capture any one guy, and he’s alone, I get along fine with him. However simply let 2 of the men get together an’ you will not talk. Jus’ absolutely nothing but mad'” (Steinbeck, 77). Although Curley was extremely over-protective of his other half, he didn’t tend to her needs so she moseyed around trying to find something to do or someone to speak to during the day. And even though all she wanted was the attention Curley didn’t offer her, the males in the cattle ranch understood that speaking with her would just lead to trouble. Well, I aint giving you no trouble. Think I do not like to speak to someone ever’ every so often? Think I like to stay the house alla time? ‘” Curley’s better half had all the spare time worldwide, and spends it making herself look as excellent as she can (Appendix B) and flaunts her body to anyone who will look. She desperately seeks attention and recommendation that she’s still got the looks that attracted all sorts of guys to her in the past.

Steinbeck selected not to give Curley’s better half a genuine name because she was never able to make a name for herself; she was forced into a life where she was confined and not able to pursue her genuine dreams. She certainly wasn’t happy with her life living inside Curley’s ranch; she wasn’t meant to be the normal female of that time who remains at home doing the cooking and cleaning for her partner. “… ‘Well, a show came through, an’ I met one of the stars. He states I might go with that program. But my ol’ lady wouldn’ let me. She states due to the fact that I was on’y fifteen'”(Steinbeck, 88).

Curley’s wife desperately tries to show Lennie that she was better than this ranch; that she wasn’t common like the remainder of the people there which it was by fault that she was living where she was now. She needed to leave that ranch and pursue her dreams now that she was old sufficient to make her own decisions. She required a ticket out of that city so she might go to Hollywood and make a name for herself (Appendix C). Although Curly’s wife’s character was represented completely by John Steinbeck, she was never ever given a complete name because her character isn’t full.

She was missing out on something; she wasn’t in her rightful location. Curley’s wife wasn’t meant to live her life on the cattle ranch, and her character wasn’t completed since of it. Steinbeck showed this the only tangible method he could, with the lack of a name for her. She wasn’t like the remainder of the individuals on the ranch, with a name or nickname; she was referred to as ‘Curley’s Spouse’. She stood out by the reality that she was the only lady on the ranch, she was the only one who dressed to impress, and she was the only individual without a full name. She didn’t belong and even if she had lived she never ever would.