“Death of a Salesman” and “A Doll’s Home” are two plays that were composed in various centuries. In these plays, among other things, is presented the place that women hold in the family, as well as in the society. Although in lots of elements, the two lead characters of the plays, Linda and Nora respectively, appear to have things in typical, at the very same time they are very various, because Nora seems to be more modern and liberal than Linda, which is paradoxical provided the fact that Ibsen composed his play seventy years previously than Miller.
The representation of the two ladies in these two plays is what will be discussed in this paper.
In “Death of a Salesman”, Linda embodies the role of the conventional American female, which was to take care of her husband, her children and the house, no matter her personal goals, and dreams. The woman is anticipated to remain at house and take part in daily house works, like cooking, cleansing and sewing, while the male, as the head of the household, is expected to find a well-respected task position because it was the man’s task to offer the whole family. So Linda has actually quit on whatever she wished for in her life, she sacrificed herself, simply to be with her husband and her 2 boys, although her partner does not seem to be treating her effectively.
Willy overlooks every word Linda attempts to interject in household conversations by disrupting her and accusing her of interrupting him. He screams at her, he does not let her speak and when she does, he speaks with her severely. An unique example is the passage towards completion of Act I, in which Linda efforts in vain to speak her mind: Linda: “Possibly things are beginning to-” Willy: “Stop disrupting!” (1907 ), and later on when Linda tries once again to say something Willie informs her quickly “Will you let me talk?” (1907 ), while he is the one doing most of the talking all this time.
Despite her hubby’s consistent destruction, Linda appears to be a female who is really faithful, loving, caring and comprehending to her spouse. Not even as soon as did she complain about Willy’s belittling habits. Linda appears to be for Willy the best better half: she constantly speaks very nicely to him, she ensures that his clothing are always fixed, and that he has got everything he needs with him before he leaves for a trip. She likes him quite and she doesn’t seem to hold versus him the horrible manner in which he treats her. An unique example is the reality that right after the incident of insulting her, she proposes to sing to him a lullaby, so that he could unwind: Linda: “Just rest. Should I sing to you?” Willy: “Yeah. Sing to me” (1909 ).
At the very same time, Linda stands up for him, takes his side, even if it indicates to enter into a fight with her kids, for not treating him with the respect he is worthy of as their dad: Linda: “He’s the dearest male in the world to me, and I will not have anybody making him feel undesirable and low and blue … Either he’s your father and you pay him that respect, otherwise you’re not to come here” (1902 ). Also, and she tries to protect him by asking for their kids’ help, when she realized that he had actually been attempting to commit suicide, because she didn’t want to do anything that would let Willy know that she has actually understood that he wanted to die. She was very worried not to hurt her spouse’s pride, realizing that if she faced him, Willy would be devastated: “How can I mention it to him? Every day I decrease and remove that little rubber pipe. However, when he gets home, I put it back where it was. How can I insult him that method?” (1904 ).
Linda is also a very devoted mom to her children, that she handled to raise in the very best method possible, when she was all alone with them, while her spouse was away for a long period of time. She has always been with them; she has informed them because the day they were born and she has actually tried to install in them good values. Even now, that her kids are grownups, she still reprimands them about being self-centered, rude, disrespectful and disrespectful towards their father. And her boys seem to love her and believe really highly of her; for them she’s the ideal good example for a fiancÃ©e: Happy: “Someone with character, with resistance! Like Mama, y’ know?” (1885) This is paradoxical, since her own hubby doesn’t appear to appreciate her, and treats her terribly.
On the other hand, Nora, the protagonist of “A Doll’s Home”, represents the society’s concept for the females in the late 1800s, which is not very different from that of the mid 1900s, in the sense that the better half has to stay at home, taking care of her spouse and children, and doing all the household tasks. Under no scenario is a lady expected to work and add to the household earnings for the guy, for once again, the male is the one that works and brings in the cash.
Hence, bad Nora is economically reliant, in a great level, on Trovald, and whenever she wants to buy something she needs to ask him to give her some cash: Nora: “Your could always give me money, Torvald. Just what you believe you might spare. And after that I might buy myself something with it later on.” (1768 ). Nora, like all the ladies of her period, is managed by her spouse, who is the one that wants to make all the choices for her, even what she would or wouldn’t consume, like when he forbidden her to consume the macaroons that she liked so much.
Nora, similar to Linda, is extremely interested in her husband’s health, but rather of simply watching she chooses to do what she can to conserve his life, even if this indicates acting behind his back and injuring his pride, in order to get the essential quantity of money to conserve his life. Nora: “Torvald is a guy with … pride– it would be awfully embarrassing and embarrassing for him if he believed he owed anything to me” (1775) because for a man that was thought about to be strong enough, it would be regarded as an insult to confess that he requires the aid of a powerless lady. What Nora did shows that although she appears to be a typical woman of her age, in reality she’s extremely different, she is a rebel that runs the risk of everything so that she will not lose the man that she likes. In the end, when whatever is exposed, she’s extremely harmed, for she understood that the guy that she risked everything for never ever enjoyed her, which all she was to him was a beautiful toy-doll to have fun with, and not an individual with genuine sensations.
The manner in which the men in her life have actually treated her is expressed in one word through the metaphor that Ibsen uses: a doll. That has been extremely confusing to Nora and her function as a mother of three kids, considering that it has actually made her also believe her kids as dolls. The only thing that Nora finishes with her kids is to play games. She has totally trusted their childhood to the nursemaid without stressing over them or attempting to teach them worths and how to behave, like Linda did. In the end, she understands that she would have never become a good mother to her children, and in fear of hurting them or turning them into dolls she decides to leave them forever: “And never see the kids again either. Never ever, never ever.” (1813 ).
In the end, Nora understands that she had actually been living a lie, and she is faced with the predicament of engaging the responsibilities to her spouse and children or the responsibilities to herself. But the need to break free from the basic, ornamental functions that she has actually been designated, and to discover herself, is higher than anything else. She can’t be of any use to anyone without finding her self first, and see what she can do on her own: “If I’m ever to reach any understanding of myself and the things around me, I must learn to stand alone” (1818 ). She’s young and gorgeous, contrary to Linda who stayed till the end with her husband and kids, and she has the entire life ahead of her to like and to be loved, make a brand-new household, because she lastly decided to leave Trovald and never come back, unless “a wonder of wonders” (1821) would happen.
Both plays talk about the position of the ladies in the family and in the society. 2 various females, from two various times were victims of their era. The one is old, unappealing however caring and supportive; she is Linda, the lady of the 1940s. The other is young, and lovely but likewise more modern and requiring; she is Nora, the lady of the 1870s. Both of them weren’t delighted with their lives, but only one of them, Nora, discovers the strength to leave and change her life. And that is why the Linda was the victim of the capitalistic society, while Nora’s more of a feminist.