In Steinbeck’s Of Mice and Men, the images of light and dark is used to deepen the themes of the regular. Sometimes darkness or “light lifting” can mean more than one thing. In this essay I would explore this topic.
“Although there was evening brightness revealing through the windows of the bunkhouse, inside it was dust”. This reveals that the light tries to get in however never ever manages to penetrate the darkness. This is very important to the themes of the story because workers’ hope for a future farm is just like the light while the cruel reality resembles the darkness.
Their efforts to realize this strategy is similar to the light attempting to penetrate the darkness, however their dream shatters at last, similar to the dust inside. “lay deep in his head, and because of their depth seemed to shine with strength”. This is a representation of Crooks’ eyes. The combination of darkness and light here implies the isolation and inner heat of Crooks. Scoundrels is a black and is separated by the whites so he is extremely lonely. The depth of his eyes suggests that he is sad, tired and lonely, however the eyes “glitter with intensity”, which recommends that in his deep heart, he is yearning for accompaniment and he has depressed enthusiasm inside. In the steady bunk’s space a little electric world threw a meagre yellow light”. The light in Criminals’ space is “meagre”, this suggests that Crooks’ social position resembles the meagre light—unimportant and simple to be disregarded. When Curley’s better half first appears in the bunkhouse, both Lennie and George notice that the rectangular shape of sunlight in the doorway is cut off. This suggests that to those workers, Curley’s better half is like darkness. She is a “tart”, a “tramp”, she threatens and brings just difficulty to them due to the fact that when she appears, their “sunshine” is cut off. Here the sunshine might represent bright things such as a much better future or hope.
Curley’s other half cut off their sunlight which suggests she might take away their happiness, similar to darkness. Right before Curley’s partner dies “the sun streaks go up the wall”. This suggests that the climax is coming. It likewise reveals that another brand-new day is on its way which means all those come from the other day will end up being the past. The dream, the hope, the trouble, everything needs an end and it is time to consider that end. After Curley’s other half has actually passed away “the sun streaks were high on the wall by now, and the light was growing soft in the barn.” The barn is growing soft suggests that Curley’s partner fades away.
Her life is end much like the light in the barn. Also the modification of light reveals the modification of time which can help readers much better understand the timeline of what took place. The outside sunshine is bright, the death of Curley’s partner is dark, these 2 compose a direct contrast which makes the setting complete of grief. As Lennie’s captors advance on him “Already the sun had actually left the valley to go climbing the slopes of the Gabilan Mountains, and the hill tops were rosy in the sun”. The reality that the hill tops are rosy after he has passes away recommends that he is much better off dead and will be happier in paradise.
And the sun leaves the valley suggests that whatever is over, the climax, the story, the bubble dream, the darkness, everything, good or bad, is over. A brand-new day, a totally “brand-new” day however not another “old” day, is smiling to the world. So though the story is about shattering dream, in the end it shows a light of hope, which contributes more beauty to this book. Images plays a crucial role in setting the state of mind for the entire story. This metaphorical language appears lot of times in the novel with different significances. Imagery contributes to the depth of the book as well as its immortality.