Explore the significance of the character Mercutio in the play Romeo and Juliet

Although Shakespeare’s play ‘Romeo and Juliet’ does not focus on Mercutio, he is among the most unique characters of the play. He handles to control other characters of the play through his imaginative and effective language. He typically takes the lead in discussions and his pals usually pass what he states.

Mercutio is neither Capulet nor Montague but his strong bond with Romeo associates him with the Montagues. In the play, Mercutio tends to stand apart compared to the other characters; this is mainly since of his energetic and outrageous personality. His funny character lightens the mood of the terrible love story and helps to increase the compassion of the audience when he later dies.

Mercutio is a catalyst, meaning that he has the ability to change what individuals believe or do. An example of this remains in Act 1 Scene 4, where Romeo is sad and doesn’t wish to go to the Capulet’s ball but Mercutio lightens the mood with puns and word play;

“You are an enthusiast; borrow Cupid’s wings”

An Elizabethan audience would have found this funny because cupid was and still is very well referred to as being the god of love. Mercutio is comic, always making jokes at every chance he gets. He lives life on the edge and is always looking for something new and leaving to do. This might likewise make him an antagonist and troublemaker, particularly when the Capulet’s are included. His inevitable death and the death of a number of others are triggered by Mercutio living life on the edge.

Read this– Puns in the Importance

Mercutio puts on a front which tells the audience that he does not regard females, such as the way he frequently uses animal functions to explain women, “spiders … gallops … pig’s tail” perhaps recommending that women are less exceptional to guys.

However, when you look closer into his language you can see that his sensations go deeper, for instance, in Act 1 Scene 4, Mercutio discusses females resembling Queen Mab;

“Her wagon-spokes made of long spiders’ legs,

The cover of the wings of insects”

Throughout the queen Mab speech in specific, he uses sibilance, sibilance it the repeating of the’S’ sound which makes this speech sound soft and I think that it shows his real enthusiasm for women. On the other hand, when he is speaking to Romeo and providing him guidance, he states to Romeo;

“Be rough with love; Prick love for pricking,

And you beat love down.”

This might show that he might have had a past relationship that might not have turned out so well. He might likewise be informing this to Romeo due to the fact that he doesn’t want the very same thing to occur to him.

In Act 1 Scene 4, Mercutio’s imagination runs wild as he is explaining ladies as Queen Mab. This will start to show the audience Mercutio’s true sensations for ladies. He uses enthusiastic language such as;

“Tickling a parson’s nose as a’ lies asleep,

Then dreams, he of another benefice”

On the other hand, Romeo has a different view to that of Mercutio’s towards females. Romeo, who is rather naï ¿ 1/2 ve towards love, shows the audience just how much he loves everybody and whatever. He is constantly speaking about how incredible love is which it is the only thing that matters on the planet.

“O, speak once again, brilliant angel! For thou art

As remarkable to this night, being o’er my head”

This can reveal that Romeo may not have actually been in a genuine relationship, however just fantasising about it.

Mercutio and Romeo have a strong relationship; they are both incredibly faithful to each other and tend to help each other out;

“Nay, mild Romeo, we need to have you dance.”

They both have a strong impact on each other, which from Mercutio’s side tends to be positive but can sometimes turn out negative however this does not take place all the time. In the death scene of Mercutio he blames Romeo for his death although Romeo was just attempted to stop it.

In Act 2, Scene 1, after the ball Mercutio and Benvolio are trying to find Romeo; they still think that he is in love with Rosaline. Mercutio then begins to shout out for Romeo, by method of chanting a spell;

“Nay, I’ll conjure too. Romeo! Humours! Madman! Enthusiasm! Enthusiast! Appear thou in the similarity of a sigh”

The shortness of his sentences and making use of exclamation marks emphasises his humour in his speech, recommending a light hearted tone, this would have produced a more amusing scene for an Elizabethan audience. During this scene the star playing Mercutio would most likely be dancing around with imaginary props, pretending to brew up a potion.

He then continues to discuss Rosaline; he speaks about her in a manor that is disrespectful and obnoxious, he buffoons Romeo as he believes he is superficial and that he is only in love with Rosaline’s charm;

“By her high forehead and her scarlet lip,

By her great foot, straight leg and trembling thigh”

Here Mercutio is stating that Rosaline is a woman of the street and Benvolio believes that this would anger Romeo. Mercutio responds;

“This can not anger him ‘twould anger him

To raise a spirit in his girlfriend’ circle”

In this sentence Mercutio starts to use sexual referrals; he states it would only anger Romeo if someone else was to sleep with Rosaline. Throughout this scene Mercutio is loud and energetic. A contemporary audience would think this funny and amusing however an Elizabethan audience may have been more surprised at what he was saying.

Throughout Act 2 Scene 4, Mercutio and the Nurse satisfy. In much the same way similar to Rosaline, Mercutio is again vulgar about the nurse;

“Excellent Peter, to conceal her face; for her fan’s the fairer face.”

The repeating of the letter ‘F’ stresses an extreme tone and suggests to the audience a sensation of disgust towards the nurse. Mercutio is saying that the nurse is unappealing, but she does not let this pass as she is aggressive and states;

“Out upon you! What a man are you!”

This reveals the Nurses shared doing not like for Mercutio also.

In Act 2, Scene 4, Mercutio compliments Tybalt’s abilities as a fighter; he calls him “Prince of Cats”. This is because Mercutio thinks that Tybalt is quick on his feet and a quick swordsman, Tybalt wins all of his battles, Mercutio states that he has “nine lives” for this reason.

“Do not believe he’s just the Prince of Cats!

Oh no– he’s way more than that.”

Although Mercutio is stating just how much of an excellent swordsman Tybalt is, he still ends up combating him and ironically Mercutio loses, he does this since he is a flaunt and he thinks he is best. When Mercutio difficulties Tybalt to a duel, Tybalt asks “What wouldst thou have with me?” Mercutio replies;

“Great king of felines, absolutely nothing however one of your 9 lives”

This shows that Mercutio is still utilizing referrals to Tybalt being “the Prince of Cats”. Also even when he has actually been stabbed by Tybalt, Mercutio says that the injury is just;

“A scratch, a scratch”

In Act 3, Scene 1, where Mercutio is nearing his death, he all of a sudden ends up being a lot more severe, however because of his ego he still handles to make amusing remarks and keeping the funny going;

“Ask for me to-morrow, and you will find me a severe guy.”

I think that because of Mercutio’s character, and always making things worse, he brought upon his own death even though in his mind he would have believed it was an advantage to do. Shakespeare most likely eliminated Mercutio off here because it builds up a climax and develops a dramatic effect.

In my opinion Mercutio has brought his death on himself by his antagonistic personality, and always provoking others. He lastly satisfies his match, Tybalt. Although, I do not think the play would be what it lacks Mercutio, as a comic character is needed, for example; to assist lighten moods of scenes when needed. Without Mercutio in the play, Romeo and other characters would have died a lot sooner, recommending to the audience that Mercutio is a hero in some way. On the other hand, everyone may have survived as it was typically Mercutio that pressed things on, frequently making things worse.