Hamlet and Romeo and Juliet Comparison

Hamlet and Romeo and Juliet Comparison

How do any 2 OR MORE plays composed in between 1580 and 1642 represent the relationships between sexuality, gender and power? (Using Hamlet and Romeo and Juliet) ‘The course of real love never did run smooth’– This is the response certainly. As well as this we come to comprehend that with the roughness of love comes indifferent sexualities, gender conflicts and powered bravados that entwine themselves into one huge mess to certainly develop the established plays we checked out today.

Romeo and Juliet and Hamlet very much represent the themes of sexuality, gender and power through the relationships of their family, lovers and associates during each of these Shakespeare plays. This will be further analysed throughout the essay with evidentiary support from quotes, equivalent and contrasting disciplines including both of the plays once viewed ‘together’ likewise. First, we pertain to acknowledge Hamlet. With frustration towards his mom on her new marital relationship; “She married. O, many wicked speed, to post. With such dexterity to incestuous sheets!’ (Act 1, Scene 2, Page 6), but can Hamlet truly state anything to his mom? She may be a woman, however his Kin nevertheless. Fear and anger follow from the death of his dad triggered by a now, ‘King’ Claudius; “Vengeance his foul and most unnatural murder. “(Act1, Scene 5. Page 6) suspecting of Claudius eliminating his father, Hamlet wishes to overthrow his newly discovered ‘power’ and try a vengeful rampage to perform him. And lastly, identifying the pugnacious relationship between ‘loved ones’ Hamlet and Ophelia. “I enjoyed Ophelia, forty thousand brothers could not with all their amount of love make up my sum.’ (Act 5, Scene 1, Page 12). With the example of this quote specifically comes an easy belief which is love. Hamlet seems truly in love with Ophelia yet throughout the course of the play comes out as an opposite position of his affections, ultimately driving both of them to a bad place. Right through Hamlet, it appears that the relationship between them all are relatable to the themes being discussed (sexuality, gender, power). Broken down, we become mindful of the consistent bombardment of power between gender. Ladies must be loyal to males, males are the rulers of women so on and so forth.

Therefore concerns concluding the powerlessness of women within Hamlet and therefore the power of gender roles and how much males truly do support. Ophelia is at the grace of the males in her life; Her fan Hamlet, her sibling Laertes and her dad, Polonius. Examples of this; her bro, off on his travels (France), provides Ophelia recommendations on how she need to conduct herself– “Finest safety lies in fear”() along with cautioning her of her virginity, since that is all Hamlet would want from her “Or lose your heart, or your chaste treasure open. To his unmastered importunity”( Act 1, Scene 3, Page 27).

Additionally, Polonius appears about this double-standard “Lord Hamlet … is young, and with a larger tether might he stroll than may be provided you” (Act 1, Scene 4, Page 33). As a woman she should accept her isolated and even more supervised life. She is powerless to alter anything. But she is obedient, following Polonius’ advice, consenting to take part in his schemes; As he prepares to spy on her meeting with Hamlet and with her submissive response “I will obey, my Lord”(Act 1, Scene 4, Page 33) Whilst looking at these examples, it is palpable that the power of gender and gender power come hand in hand whether you are related or not.

Familial obedience was something that was taken seriously during this duration, with obvious buildings of the subservient relationship Ophelia has with her dad, sibling and even Hamlet. Hamlet does ultimately express his contempt for ladies “Frailty thy name is woman” he continues thrashing ignorant Ophelia with more abuse as the play earnings and as a male he depends on his gender to express his feelings in addition to them being heard “I enjoyed you not … You ought to not have believed me … Get thee to a nunnery, go”. Ophelia is sacrificed to this male egotism.

Her drowning, her breakdown are demoralising, as she roams through the Court, singing, pitifully distributing flowers and herbs “There’s rosemary, that’s for remembrance, and there is pansies, that’s for ideas”. It can be quickly said that Ophelia does undoubtedly freak, resulting in her death. Her relationship with all guys drive her to this death and presenting women’s sexuality, gender and power are small to men’s. Additionally, female sovereignty was uncommon throughout the Renaissance duration. The social structure or hierarchy of the household ensured the subjugation of woman under man.

This notably witnessed through Hamlet today we see this very same discipline through Shakespeare’s Romeo and Juliet, along with other underlying themes which will be more gone over. To start with, male supremacy is displayed in the play through Lord Capulet’s relationships between his child, better half and so on. This patriarchal hierarchy creates a highly powerful male and makes other characters in the play weaker by comparison. Their appears to be an apparent depiction of Lord Capulet; a male who wishes to acquire all familial power and for no female to defy his final judgments.

He is expectant of his better half (Lady Capulet), child (Juliet) and his servants to do exactly as he tells them, when he informs them. Remind us of anyone? I believe so, this governing fatherly role was before thought about throughout Shakespeare’s Hamlet. (Polonius to Ophelia) signifying apparent equivalent representations throughout both of these plays. With historic context/background we diverge into the language of Shakespeare surrounding the Elizabethan age or period. Naturally he based the majority of his plays on the morals and social requirements of the time.

Therefore, the Elizabethan duration undoubtedly was engulfed by worthy women, anticipated to be wed off to abundant, socially appropriate guys. Dads would select the men they thought about “dependable” for their daughters just as Polonius and Lord Capulet had done, intending to wed them off to a greater social circle to levitate their own. Ladies had the ability to refuse to marry however would be right away disowned by their households; (Simply as Capulet’s behaviour so significantly contrasts from when Juliet was following her father to when she spoke up. This pertaining to the underlying theme of the inequality through gender, through the plays along with the entirety of the duration and the absence of power females had over their hubbies, father, brothers etc. In a nut shell, this was viewed to be a quiet threat that was hidden underneath every delighted Elizabethan family. As of both of these Shakespearian plays, the beginning aspects of power and gender functions were indeed established through the sexuality of ladies and males. All were compliant and understood there place up until something broke down the barriers and let loose.

Both Juliet and Ophelia adhere to the guidelines they need to keep to, as highlighted before, Ophelia in her submissive state responded “I shall obey my lord”this ‘state’ of her never really changes but falls back deeply as her dads death as well as loss of love and over-powering consequences, results in her ultimate lunacy. Contrastingly, Juliet is called a far more smart and manipulative young lady as she breaks the stereotype of men over ladies and attempts to be with her family’s opponent and the guy she likes deeply. ‘My bounty is as limitless as the sea, My love as deep; the more I give to thee, The more I have, for both are unlimited”( Act II, Scene 2) In addition, Juliet’s rejection to wed Paris includes ripple affects, triggering her father to have a complete breakdown of his own. Lord Capulet, although a stern guy and set in his methods, he attempts to understand that Juliet might indeed be far too young for marriage. On his very first encounter with her, Lord Capulet asks why she is “evermore weeping” (), revealing concern for his daughter.

Yet when he is notified about her refusal he becomes belligerent and insulting; “Disobedient Scum”(). Recommending that even after he was just thinking about the marital relationship, Juliet has actually now broken her commitments towards her father and need to be penalized for not abiding his rules, merely communicating back to us as an audience/readers that his empathy for her was superficial. Again, bringing us back to discover the relationship in between them both through their gender functions. Nevertheless, even when Juliet’s disobedience is foreshown, comes along humility as she bows down upon her knees “Excellent daddy, I beseech you on my knees.

Hear me with persistence but to speak a word”( Act 3, Scene 5, Page 182) Symbolising how reliant Juliet is genuinely to her daddy and how she is mentally forbidden from self-pity. Particularly through Act 3 Scene 5 Lord Capulet is insistent of letting his daughter understand that she is generally a tramp. “Tallow dealt with green illness”implying that she is a plague bringing pity upon their household and family name. We have discussed the apparent relations of gender, power and sexuality through women and men integrated. However, we are able to come across the exact same outspoken blowings when taking a look at simply the guys throughout the plays.

For instance Romeo and Juliet’s mindset on male– honour/ male sexual posturing come to be active sources of both the plays tragedy and humour. The constant competition in between Verona’s 2 most considerable families (the Montague’s and Capulet’s) is forever driven upon the testosterone-charged conflicts in between the young men within each household circles. Romeo Montague, the play’s protagonist is frequently torn in between the male bonds he shares with his closest friends, Mercutio especially. There roles as males are asserted through a scene, denouncing all of the males within their quarrels nothing less than tyrants.

When Tybalt (Juliet’s cousin) pertains to his death due to guys having to ‘one up each other’ and remember, this isn’t in between females and males any longer, this is in between men only comes Juliet’s choosing aspect, Household or enjoy? With what appears to be among the most pivotal scenes throughout the play, comes great trust and allows readers to have an idea of understanding of how much Juliet does enjoy Romeo after she forgives him of his crime. Although this battle results in Tybalt’s death, is he not the one that wanted this to occur; TYBALT “Boy, this shall not excuse the injuries That thou hast done me; for that reason turn and draw.

ROMEO I do demonstration, I never ever injured thee, However love thee better than thou canst develop, Till thou shalt know the reason of my love: Therefore, great Capulet,– which name I tender As dearly as my own,– be pleased. “With this, we become mindful of the truths of guys understanding ‘who’s in charge’ throughout this period. Yes, you might be a female, so absolutely know your status in society, but if you are a male enemy understand your ranking or death would have indeed been a choice. From this even more ‘tragedy’ example, Shakespeare likewise permits us to see a humorous version of what happens in the start of the play.

Even though Sampson is relaying the obvious gender/sexuality stereotype that females are feeble, he concerns inform the audience that the ladies he is in fact speaking about are the competitors from the side of Capulet;, who are men. SAMPSON “Real; and therefore women, being the weaker vessels, are ever thrust to the wall: for that reason I will push Montague’s males from the wall, and thrust his maids to the wall. “( Scene 1, Act 1, Page 6) GREGORY “I will frown as I pass by, and let them take it as they list. SAMPSON Nay, as they attempt. I will bite my thumb at them; which is a disgrace to them, if they bear it.’ (Scene 1, Act 1, Page 2) In the very first example Sampson tries to assert his masculinity through sexual and physical violence in addition to the 2nd carefully following, as both young boys pronounce that they wont be taking these hurdling insults and eventually ‘bit their thumbs’. Last but not least, we concern the last conversation centred around the representation of relationships in between sex. Hamlet appears to have an anxiety with female sexuality, this appears to have a dictating factor through much of the play. The young Prince is finally at breaking point with his aging moms sexual appetite with Hamlets Uncle!

With his mums raving sexual cravings it returns to bite Hamlet as his attitude ultimately contaminates his relationship with his own fan, Ophelia. Within Hamlet, the view of sexuality whether it be through the eyes of woman or male is often related to sin, hoax and an apparently fallen world. And according to Hamlet, female sexuality will/has made the whole of the world appear like an “Unweeded Garden”( Scene 1, Act 2, Page 6)– metaphorically speaking that the world is over lapping, over growing and breaking the boundaries simply as his mom.

With Hamlet, it appears that Shakespeare has actually built a more indifferent way of passing on the themes of sexuality, gender and power; specifically through the distinguishing and non-stereotypical relationships. For instance; between a father/brother/daughter rather than a father/mother child. But when it boils down to the nitty gritty, Romeo and Juliet exude these styles, especially the last theme (sexuality) in a more hands on technique, or at least one which seems even more apparent to the reader/audience.

The simplicity of a kid and a woman from opponent grounds meet and fall in love, their lust for one another are checked by household deaths as well as pressed by intense chemistry. Both of these young ‘grownups’ reside in Verona, a city translucented the play where unclean jokes are spread out, violence is the standard and even the most basic of question (like having the time of day) has underlying sexual tones. “The bawdy hand of the dial is now upon the prick of twelve noon,” It would appear nothing less that Romeo is merely a young boy trying to find a little bit of enjoyable. Why would he need love? Or marriage? When he has the ability to have something physical handed to him on a plate?

Nevertheless, these star-crossed lovers heighten the world of sexuality between to entities and most likely shocked most of the period/era when written/played/produced. Considering their age, status, ranking and familial obedience. To conclude, both of these plays exude the underlying themes; sexuality, gender and power. All were shown with supporting quotations and in the views of various relationships such as father to child, enthusiast to fan, good friend to opponent. All have their own uncertain meanings however without Shakespeare’s personal touches to each of these plays, they would not have been so well-known and check out today.

Each disclosed me into a state of realism, allowing me to understand each character and through this essay analysing and inspecting what was being investigated into much deeper analysis. In addition to supporting that” The course of real love never ever did run smooth”. Word Count– 2472 Bibliography: Hamlet: Shakespeare, Play originally written: 1603 (Copy utilized): ‘New Swan Shakespeare, Advanced Series, Hamlet’ published: 1969 Romeo and Juliet: Shakespeare, Play originally written: 1597 (Copy used) ‘Shakespeare, Romeo and Juliet’, modern English variation side by side to initial text, released: 1984