Language Choice Within “The Catcher In The Rye”
In “The Catcher in the Rye” a coming of age story is told of Holden Caulfield. Many disputes with maturity emerge in coming of age literature. Throughout the reading of the text a big amount of graphic language is used by the storyteller. The constant cursing and recommendations to classes of people in negative terms penetrate throughout the reading. This reality alone causes the book to be questionable and in turn banned from numerous curriculums. The language is frequently brought into question of need especially when exposing younger readers to literature.
In Salinger’s “The Catcher in the Rye” the vulgarity of the selected language is required to show the character’s multiple inner conflicts. The death of Holden Caulfield’s little bro, Allie, shows to be a dispute that Holden battles with throughout the story. At one point Holden remembers “I broke all the goddam windows with my fist, just for the hell of it … I don’t care much. I indicate I’m not going to be a goddam cosmetic surgeon or a violinist or anything anyway” (Salinger, 39). At this point in conversation Holden is remembering the night that his bro passed away.
He appreciated his sibling greatly for his intelligence and sensitivity. When Holden is speaking of his bro the language is constantly directed at admiration of him until being confronted with handling the truth that he is gone. When dealing with the reality of Allie’s death the word choice is constantly moved to cursing as revealed above when Holden is beating in the windows in the garage. This language is a way for the narrator to move the focus onto this betrayal as he felt it. Holden never ever actually makes peace with the death and feels it to be unjust.
The word option helps to transition the tone of the character into one of deep cynicism and helps Holden avoid self-questioning. Among the most typical disputes in coming of age literature is sexuality and “The Catcher in the Rye” displays this inner conflict frequently. Holden Caulfield is often times challenged with his sexual maturity and how he views others’ sexuality. When Holden is returning home from Pencey he stays at a hotel to avoid his moms and dads for two days. Upon signing in at the hotel, he views across from his window a couple that are taking turns spitting their drinks on each other.
Holden proceeds to call them perverts specifying “I was most likely the only normal bastard in the whole location” (Salinger, 62). Holden goes on to confess that type of behavior interested him to view and excited him. He reassures himself of his sexual maturity by specifying “I suggest that’s my big difficulty. In my mind I’m probably the greatest sex maniac you ever saw” (Salinger, 62). In truth Caulfield had never ever had sex and discovered it hard to be intimate with a woman. The tone that he utilizes in this scene is simply some type of mindset he has actually made up and he utilizes it to explore the little that he knows of sexuality.
Continually, Holden tries to portray himself as an individual of experience despite the fact that it is not the truth. The language is very important in Holden’s self validation of this experience. Sex and sexuality are seen by Caulfield to be a loss of innocence. Jane Gallagher was a good friend of Caulfield’s that had been brought up numerous times in his ideas. Holden would constantly focus on Jane’s innocence and looked for to secure that innocence. Jane went on a date with Holden’s roommate Stradlater who was particularly experienced with girls.
Holden thinks about this date typically throughout and after its actual event. Long after the date Holden believes “I got old Jane Gallagher on the brain once again … [I] thought about her and Stradlater sitting in that goddam Ed Banky’s car, and though I was quite damn sure old Stradlater had not provided her the time– I know old Jane like a book” (Salinger, 76). Holden’s disappointment appears in the text due to the fact that of the reoccurrence of his paranoid feelings of that date. It is very important to Holden that he secures Jane.
The truth of the story is that Holden is never ever actually protecting Jane. When it comes to this date, he merely tries to convince himself that all efforts were made. The use of what is adult language to Holden would make him feel justified in this protector role and additional his sensations of disappointment. Another essence that takes in the majority of Holden’s ideas is that most people are phonies or phonies. Upon getting here in New york city, Holden leaves his hotel to head out to drink. Caulfield satisfies a group of three ladies that he thinks about “phonies” and dances with them and purchases their drinks.
Holden thought “the entire three of them kept looking all around the goddam room, like as if they anticipated a flock of goddam motion picture stars to come in” (Salinger, 73). The whole time with these ladies, Holden is attempting to connect and even pretended to have seen a film star for their satisfaction. Holden safeguards himself with such cynicism he is not able to see his own faults considering that his thoughts are constantly on other people. The language he utilizes to explain the ladies shows his obvious ridicule for their actions. It appears that the regularly he curses it just validates Holden’s stance to himself, so that he can only think about others and how he sees them.
The language that Holden utilizes throughout the text effectively alienate him from any and all groups he looks for resulting in his ultimate breakdown. Throughout “The Catcher in the Rye” substantial cursing and indecency are utilized from the prospective of the narrator Holden Caulfield. As a maturing story the language is picked to show disappointment and absence of understanding in some huge concerns. Death, sexuality and loneliness are all deeply rooted problems and conflicts for Holden that trigger his ultimate breakdown. These big underlying problems of the story would lack depth and significance without the picked language.