Metamorphosis” and “A Rose for Emily

Transformation” and “A Rose for Emily

“Metamorphosis” and “A Rose for Emily” The tone, setting, and characters of Franz Kafka’s “The metamorphosis” can be seen as comparable to those elements in William Faulkner’s “A Rose for Emily.” In both of these stories, there are two different individuals who are living their lives very much alike, and they both die all alone. The tone of “Transformation” is similar to the tone of “A Rose for Emily. “Gregor and Miss Emily are both separated and pushed away. The storyteller says that Gregor has an “tiring occupation” as a traveling salesperson. Gregor flights on a train all of the time for his work.

He meets new people, but he has no affection for them. Gregor does not spend a great deal of time with his household. The narrator is showing that Gregor is isolated and feels pushed away from his family since he is working all the time to support his household. The storyteller shows this by the other salesmen that Gregor sees at the “pension” having breakfast. Gregor states that he would “like to see what would happen if he were to try that out with his director sometime.” The narrator is indicating that Gregor wants to be like the other salesman however he can not since his employer would not allow it.

Gregor constantly keeps his door locked whether he is taking a trip or at home. The storyteller states, that Gregor uses “safety measure” by “locking every door during the night,” regardless if he is at “house or traveling.” The narrator states that Gregor’s father gave him a “really liberating kick” back into his space and “Battered shut” the door with his walking cane. “Raindrops might be heard plunking against the tin window-ledges made Gregor rather melancholy.” The word “melancholy” signifies sadness or depression of sprits; gloom. Then when he wakes up as a cockroach, he is secured his room.

Gregor is separated from his daddy, mother, and sibling Grete because they locked him in his bedroom at the end of the story. Miss Emily selects to separate herself from the townspeople by shutting her door and not let anyone in for long “periods of time.” She is alienated because her dad was so stringent about whom she might date, and this affected her as she grew older. The storyteller states, “We remember all the boys her dad had driven away, and we knew that with nothing left, she would need to hold on to that which had actually robbed her, as people will.” The storyteller states, “And that was the last we saw of Miss Emily for a long time.

The Negro guy went in and out with the market basket, however the front door remained closed. From time to time we would see her at a window for a moment, as the men did that night when they sprayed the lime, but for practically 6 months she did not appear on the streets.” The storyteller mentions that the townspeople anticipated this of Miss Emily by stating, “Then we understood that this was to be anticipated too; as if that quality of her dad which had prevented her woman’s life numerous times had actually been too virulent and too furious to pass away.” The townspeople isolate Miss Emily due to the fact that she dates Homer Barron, a Yankee who is a day laborer.

The storyteller says, “Poor Emily, she brought her head high enough-even when we believed that she was fallen. It was as if she required more than ever the acknowledgment of her dignity as the last Grierson; as if it had wanted that touch of earthiness to reaffirm her imperviousness.” The storyteller is saying that Miss Emily, being of a popular family, has behavior that is irregular for southern individuals, and that she is “reaffirm her imperviousness.” The denotation of “imperviousness” is not efficient in being impacted or disrupted. The narrator is stating that Miss Emily is not affected by what the townspeople think about her.

In reality, she is affected by this due to the fact that she isolates herself from the townspeople. The setting of “The Transformation” is similar to the setting of “A Rose for Emily.” Kafka explains the setting in “The Metamorphosis” as most of the action happens in Gregor’s bed room. Gregor lives with his dad, mom and sister in a large house in the city. From Gregor’s bedroom window he sees a busy street and a health center throughout the street. But as the story goes on, his vision gets “fuzzier,” he might believe that he lives in a “wasteland where the grey sky combines indistinguishably with the grey earth. The narrator states that Gregor’s bed room is dirty and dirty. Nobody enters and cleans it anymore after the household locks Gregor in his room the last time. Then he passes away there in his bed room all alone. At the end of the story Gregor’s daddy, mother and sis take a carriage out to the nation and the sun is shining brightly. In the story of “A Rose for Emily,” the narrator describes the setting occurring at Miss Emily’s “big, squarish framed home” that sets on a “select street” in Jefferson.

The outside of your home is “embellished with cupolas, spires and scrolled balconies in the greatly lightsome style of the seventies. “There was opening to a cellar where the “Board of Aldermen;” there are four them, they spray lime to take care of the “smell of your home” after Miss Emily’s father died. The house is old and diminish; for this reason, the storyteller calls it is an “eyesore, among eyesores.” Unlike Gregor, the townspeople provided Miss Emily a funeral service, which happens at her home.

The narrator specifies that the “funeral service on the second day, with the town concerning look at Miss Emily beneath a mass of bought flowers, with the crayon face of her father” a photo she had actually painted about the bier and “the ladies sibilant and macabre: and the older men-some in their brushed Confederate uniforms-on the deck and the law, talking of Miss Emily as if she had been a contemporary of theirs, believing that they had danced with her and courted her maybe complicated time with it mathematical progression, as the old do to who all the past is not a lessening road, but instead a hug meadow which no winter ever quite touches, divide from them now by the narrow traffic jam of the most current years of years.” The storyteller specifies that there is “one space upstairs which nobody had actually seen in forty year,” and which would have to be required open. They waited till Miss Emily was in the ground prior to opening the room upstairs. This space was like a “burial place” similar to Gregor’s bed room that he passed away in. The narrator explains the space as it is filled with “pervading dust.

A thin, acrid pall as of the burial place appeared to lie everywhere upon this room decked and furnished as for a bridal.” Then the narrator states that they discovered a “male himself lay in the bed” and “what was left of him, decomposed underneath what, was left of the nightshirt.” Then they “see on the 2nd pillow was the imprint of a head” and “a long hair of iron-gray hair.” The character of Gregor in “The Transformation” is similar to the character of Miss Emily in “A Rose for Emily” since they are both isolated, both don’t communicate, and both die alone. The storyteller states at the start of the story, Gregor is hectic working all the time as traveling salesman, to support the household.

Because of his work he does not interact with his household. He is also isolated because; he gets up as cockroach, He does not speak human language now so he can’t interact with his family or work. The narrator explains if Gregor “had been able to talk to his sister and to thank her for everything she needed to provide for him, he would have found it a little simpler to send to her ministration; but, as it was, he experienced them.” He is likewise, isolated since his household keeps driving him back into his space. The narrator shows this in the start of the story by “his father was progressing implacably, emitting hissing sounds like a savage.

Gregor had no practice in moving in reverse, and he was moving, it had to be stated, incredibly gradually. If he had had the ability to turn round, he would have been back in his space in little or no time at all, but he was afraid lest the hold-up sustained in turning around would make his daddy impatient. And at any monolith the stick in his father’s hand threatened to strike him a fatal blow to the back of the head.” Miss Emily is isolated similarly, she very seldom heads out of her home, and the townspeople hardly ever concerned check out Miss Emily and she does talk with them sometimes. The storyteller states, “From that time on her front door remained closed, conserve for a duration of 6 or seven years, when she was about forty, throughout which she offered lessons in china painting.

Gregor and Miss Emily both pass away alone. Gregor at the end of the story; comes out of his space for the last time, frightens all individuals there. Now he feels bad for what he did, and he returns back to his bed room. He has not consumed for days now and he lays there on the flooring and dies all alone. The narrator points this out by stating, “He stayed in this condition of empty and peaceful reflection until the church clock struck three a. m. The last thing he saw was the sky slowly lightening outside his window. Then his head involuntarily dropped, and his final breath passed feebly from his nostrils.” Miss Emily dies alone in alike way as Gregor did.

The storyteller indicates this in the start of the story and he says, “The ladies mostly out of curiosity to see the within her house, which no one conserve an old man-servant-an integrated gardener and cook-had seen in a minimum of ten years.” Therefore, in the story of “The Transformation” Kafka shows an unfortunate story of how a guy became a cockroach for no recognized reason. He demonstrations how badly his household treated him after he ended up being a cockroach. Now his family pushed away and separated him by locking him into his room and leaving him to die all alone. Then, they travelled out to see the county since they did not have the concern of Gregor anymore. This resembles they were celebrating his death. How odd is that?

In the story of “A Rose for Emily” Faulkner presentations an unfortunate story of how a southern woman’s raising by a stringent daddy triggers her to be alienated for the rest of her life. He shows this by going back and forth in time with how the townspeople isolated and pushed away Miss Emily at various phases of life. Then when she dies all alone, the townspeople exist since they wish to take a look at the space, which had been locked up for about forty years. Faulkner leaves the townspeople with the idea that Miss Emily had been laying in the bed with a corpse and with her irony-gray hair left for them to see. How insane is that to lay in the bed with a corpse?