“Of Mice and Guy” Quotes Hopes and Dreams: “An’ live off the fatta the lan’,” Lennie shouted. “An’ have rabbits” “We ‘d jus’ live there. We ‘d belong there.
We ‘d have our own location where we belonged and not sleep in no bunk home” They fell into silence. They looked at one another, impressed. This thing they had never actually believed in was coming to life. “Nobody never gets to heaven, and no one never ever gets no land. It simply in their head.” [Crooks] “why I ‘d come aid” “Well simply forget it,” said criminals. “I didn’t mean it. Simply foolin’. Wouldn’ want to go no location like that.” George stated softl, “- I think I understood from the extremely initially.
I believe I knowed we ‘d never ever do her. He usta like to become aware of it a lot i got to believing possibly we would.” Friendship VS Isolationism George: “Guys like us, that deal with ranches, are the loneliest men in the world. They got no household—” “With us it ain’t like that. We got a future. We got someone to talk to that provides a damn about us. Lennie broke in “However not us! An’ why? Since … since I gotyou to care for me, and you got me to look after you, which’s why” Sweet: “Well-hell! I had him so long. Had him because he was a pup. He was the best damn sheep canine I ever seen. “
Slim:” Ain’t lots of people travel around together,” he mused. “I don’t understand why. Perhaps ever’body in the entire damn world is scared of each other” Crooks: “A person needs somebody– to be near him. A people goes nuts if he ain’t got no one” 1. “People like us, that work on cattle ranches, are the loneliest men on the planet. They got no family. They don’t belong no place … With us it ain’t like that. We got a future. We got somebody to speak with that provides a damn about us. We do not need to being in no bar space blowin’ in our jack jus’ due to the fact that we got no place else to go. If them other men gets in prison they can rot for all anybody offers a damn.
But not us.” Toward the end of Area 1, before George and Lennie reach the cattle ranch, they camp for the night in a stunning cleaning and George assures Lennie of their special relationship. In this passage, George explains their relationship, which forms the heart of the work. In Of Mice and Guy, Steinbeck idealizes male friendships, suggesting that they are the most dignified and gratifying way to conquer the solitude that pervades the world. As a self-declared “watchdog” of society, Steinbeck set out to expose and chronicle the circumstances that trigger human suffering.
Here, George relates that loneliness is accountable for much of that suffering, a theory supported by much of the secondary characters. Later in the story, Candy, Crooks, and Curley’s spouse all offer moving speeches about their isolation and dissatisfactions in life. Humans, the book recommends, are at their best when they have someone else to look to for guidance and defense. George reminds Lennie that they are incredibly fortunate to have each other because the majority of males do not enjoy this comfort, especially guys like George and Lennie, who exist on the margins of society.
Their bond is made to seem specifically unusual and precious considering that most of the world does not understand or appreciate it. At the end, when Lennie inadvertently eliminates Curley’s better half, Sweet does not sign up the tragedy of Lennie’s upcoming death. Rather, he asks if he and George can still acquire the farm without Lennie. In this environment, in which human life is utterly non reusable, just Slim recognizes that the loss of such a lovely and powerful friendship should be grieved. 2. “S’pose they was a carnival or a circus concerned town, or a ballgame, or any damn thing. Old Sweet nodded in gratitude of the concept. “We ‘d simply go to her,” George said. “We would not ask nobody if we could. Jus’ state, ‘We’ll go to her,’ an’ we would. Jus’ milk the cow and sling some grain to the chickens an’ go to her.” In the middle of Section 3, George explains their vision of the farm to Candy. In the beginning, when Sweet overhears George and Lennie going over the farm they intend to buy, George is protected, informing the old man to mind his own business. However, as quickly as Sweet offers up his life cost savings for a down payment on the home, George’s vision of the farm becomes much more real.
Described in rustic but lyrical language, the farm is the fuel that keeps the males going. Life is hard for the males on the ranch and yields few rewards, but George, Lennie, and now Sweet go on because they believe that a person day they will own their own place. The appeal of this dream rests in the flexibility it symbolizes, its escape from the gruelling work and spirit-breaking will of others. It supplies comfort from psychological and even physical turmoil, many obviously for Lennie. For instance, after Curley beats him, Lennie goes back to the idea of tending his rabbits to relieve his pain.
Under their current circumstances, the guys must work to please the one in charge or his kid, Curley, but they imagine a time when their work will be simple and identified on their own just. George’s words explain a timeless, usually American imagine liberty, self-reliance, and the ability to pursue happiness. 3. A man sets alone out here in the evening, perhaps readin’ books or thinkin’ or stuff like that. In some cases he gets thinkin’, an’ he got nothing to inform him what’s so an’ what ain’t so. Maybe if he sees somethin’, he don’t understand whether it’s right or not. He can’t rely on some other man and ast him if he sees it too.
He can’t tell. He got nothing to determine by. I seen things out here. I wasn’t drunk. I do not know if I was asleep. If some person was with me, he might tell me I was asleep, an’ then it would be all right. However I jus’ do not understand. Criminals speaks these words to Lennie in Section 4, on the night that Lennie visits Crooks in his room. The old stable-hand confesses to the very solitude that George explains in the opening pages of the novella. As a black man with a physical handicap, Crooks is required to survive on the periphery of ranch life. He is not even permitted to go into the white men’s bunkhouse, or join them in a video game of cards.
His resentment typically comes out through his bitter, caustic wit, but in this passage he displays a sad, touching vulnerability. Criminals’s desire for a buddy by whom to “measure” things echoes George’s earlier description of the life of a migrant employee. Due to the fact that these men feel such solitude, it is not unexpected that the pledge of a farm of their own and a life filled with strong, brotherly bonds holds such appeal. 4. I seen hundreds of males come by on the roadway an’ on the ranches, with their bindles on their back an’ that very same damn thing in their heads … extremely damn one of ’em’s got a little piece of land in his head. An’ never ever a God damn among ’em ever gets it. Similar to paradise. Ever’body wants a little piece of lan’. I check out plenty of books out here. No one never gets to heaven, and nobody gets no land. In this passage from Section 4, after Lennie show Crooks his strategy to purchase a farm with George and raise rabbits, Crooks attempts to deflate Lennie’s hopes. He relates that “hundreds” of men have gone through the cattle ranch, all of them with dreams comparable to Lennie’s. Not one of them, he stresses with bitterness, ever manages to make that dream come to life.
Criminals injects the scene with a sense of reality, advising the reader, if not the childish Lennie, that the imagine a farm is, after all, just a dream. This minute establishes Crooks’s character, demonstrating how a lifetime of solitude and oppression can manifest as cruelty. It likewise furthers Steinbeck’s disturbing observation that those who have strength and power on the planet are not the only ones responsible for oppression. As Crooks shows, even those who are oppressed seek out and attack those who are even weaker than they. 5.
A water snake glided efficiently up the swimming pool, twisting its periscope head from side to side; and it swam the length of the pool and concerned the legs of a motionless heron that stood in the shallows. A quiet head and beak lanced down and plucked it out by the head, and the beak swallowed the little snake while its tail waved desperately. The abundant imagery with which Steinbeck begins Area 6, the powerful conclusion, stimulates the novella’s dominant themes. After eliminating Curley’s spouse, Lennie go back to the cleaning that he and George designate, at the beginning of the book, as a meeting point must they be separated or encountered difficulty.
Here Steinbeck explains much of the natural elegance as exposed in the opening pages of the work. The images of the valley and mountains, the climbing sun, and the shaded pool recommend a natural paradise, like the Garden of Eden. The reader’s sense of return to a paradise of security and comfort is advanced by the knowledge that George and Lennie have actually claimed this space as a safe house, a location to which they can return in times of difficulty. This paradise, however, is lost. The snake sliding through the water recalls the conclusion of the story of Eden, in which the forces of evil looked like a snake and caused humankind’s fall from grace.
Steinbeck is a master at meaning, and here he masterfully uses both the snake and heron to stress the predatory nature of the world and to foreshadow Lennie’s imminent death. The snake that moves through the waters without harm at the beginning of the story is now unsuspectingly snatched from the world of the living. Soon, Lennie’s life will be taken from him, and he will be just as unwary as the snake when the final blow is delivered. Styles Friendship: -George and Lennie -Candy and his dog -Conserves them from solitude -Makes sacrifices– George shoots Lennie, so that Curley will not have a hance to abuse him, despite the fact that he does not want to. -Loyalty– George supported Lennie through all his problems and did what he though was best for Lennie what he eliminated Curley’s Better half.– “I ain’t mad” Relationship that he forms with Slim after Lennie’s death– “me an’ you’ll go in an’ get a drink.” Isolation: Curley’s better half– sexism -Is provided a bad credibility -Sexuality: “jailbait”/ “tramp” Crooks– color/ racial discrimination -Separated– he does not reside in the bunk home with the rest of the ranch hands and is not allowed in unless under special circumstances: Christmas
Candy– His friend was a dog -His do was shot, he was totally alone George is lonesome despite the fact that he had Lennie. This is due to the fact that he is not mentally compatible with George. Also given that the relationship is seen as a “master-pet” or “parent-child” relationship Lennie can be more of a duty. [However, relationship and friendship plays a big function in their bond.] Slim is seen as “God-like” so the reader does not see slim effected by loneliness Power: Curley has power since he is in charge’s son.
Curley’s Partner also has a lot of power over the cattle ranch hands since of her sexuality and since she is Curley’s Spouse. “I might have you strung up on a tree so simple it ain’t even funny.” “Crook’s face lighted with satisfaction in his torture” “a nigger, an’ a dum-dum, and a lousy old sheep” “bindle stiffs” Wearing high heeled boots represents power. This does not apply to Slim. He does not need to Use high heeled boots yet he has authority at the cattle ranch and has natural respect, it does not have to be required unlike with Curley. Discrimination: Sex Discrimination– versus Curley’s Better half I ain’t desire nothing to opt for you” George states this to Curley’s Spouse. Pg. 93– racial discrimination against Crooks “A colored man got to have some rights even if he don’t like ’em” Inverted discrimination “In a second George stood framed in the door, and he looked disapprovingly about. ‘What are you doin’ in Criminal’s space. You had not ought to remain in here.” Nature: Lennie is compared to animals. The actions/ movements of nature show foreboding/danger “One end of the terrific barn was stacked high with brand-new hay and over the pile hung the four-taloned Jackson fork suspended from its pulley.
The hay came down like a mountain slope to the other end of the barn, and there was a level location yet unfilled with the brand-new crop. At the sides the feeding racks were visible, and in between the slats the heads of horses could be seen. Fallacy– personification but with nature. This shows the mood of the scene. Pg. 104– nature’s reaction to Curley’s Spouse’s death. “But the barn lived now. The horses marked and snorted, and they chew the straw of their bed linen and the clashed the chains of their halters.” Worthless Fallacy– Horses reflect the danger.