Romeo and Juliet Balcony Scene

Romeo and Juliet Balcony Scene

Embed in Verona, William Shakespeare’s play Romeo and Juliet shows the devastating result of love in the lives of the play’s essential characters, Romeo and Juliet. The terrace scene of the Shakespeare’s play and Baz Luhrmann’s film is the most significant and important scene of the whole play.

This scene serves to establish Romeo and Juliet’s love, it illustrates the barrier between the ‘set of star-crossed enthusiasts’, and how they admit their lover for each other and decide to get married in spite of the fight between their households; the balcony scene likewise serves to combine the specific personality type, develop them as characters both in and individually from their relationship. Baz Luhrmann’s adjustment from the original play is contemporary and quite ingenious. In the balcony scene of the play and the movie, the key characters, Romeo and Juliet are rather similar.

Through this scene, both Shakespeare and Baz Luhrmann has actually revealed and communicated to us about the film’s characters in this scene. We can see that Romeo idolises Juliet, describing ‘Juliet [as] the sun’. He is likewise romantic about love and utilizes flowery and poetic language whilst speaking with Juliet. Romeo is also honourable to Juliet as he wishes to marry her, not simply after sex, though we can state that he is spontaneous and spontaneous as he moves from Rosaline to Juliet. Juliet, however, has completely opposite characters to the optimistic Romeo.

She is a logical, useful and mindful woman, she is concerned about Romeo’s security when he burglarized the Capulet’s home, she says to Romeo: ‘If they do see thee, they will murder thee.’ Juliet is likewise amusing and mature, as she tells Romeo not to swear their love by the inconstant moon, she knows men’s games. Although Luhrmann’s film has variations to the play, the characters are still quite similar to the initial. The setting of the terrace scene in Shakespeare’s play is entirely different to Luhrmann’s film, but the symbolic significances behind the props are very much alike.

Luhrmann chose to modernise the entire story, by doing this it altered lots of things like the weapons they utilized and their homes. In the original play, Romeo remains in the Capulet’s orchard, symbolising isolation and separation, which contributes to fear of direct exposure of their ‘death marked love’. In the Luhrmann’s movie, the very same thing applies, but rather of the orchard there is the pool. The surveillance cameras serve as the guards in the initial play, having the very same meaning of avoiding detection and the fear of direct exposure and concealed nature of successor love. The terrace, however, is changed. In Shakespeare’s play, Juliet is on the veranda, however in the film, Juliet comes down the elevator to the same level as Romeo. Although there is the difference, the balcony in both the play and the movie functions as a barrier in between Romeo and Juliet and shows the trouble of their relationship. Baz Luhrmann has created a movie that applies to contemporary audience; he has actually altered parts of the setting which persuades the audience into genuinely feeling the spirit of Shakespeare.

In the terrace scene of Baz Luhrmann’s film, the key styles are more intense and vibrant than the initial play. Despite the powerful language of Shakespeare, Luhrmann has actually likewise utilized electronic camera angles and other contemporary technology to make the styles of the scene more vibrant and remarkable. In the original play, there aren’t as lots of innovations, such as lighting and camera angles; for that reason we can just feel the power of love through the poetic language.

Whereas in the movie, Luhrmann has utilized cam angles and point of views to bring us into their discussion, making us the third individual in their relationship, experiencing what they are experiencing, such as the close ups of Romeo and Juliet kissing. The lights and the music also reflect the state of mind and strength of the styles, such as the intensity of the light and the volume and the type of music. Baz Luhrmann has likewise included some humour to the scene, as when Romeo mistakes the nurse for Juliet and stumbles and hangs on the balcony.

This makes the mood more fun and intense. Baz Luhrmann’s adjustment of the style of the terrace scene is rather creative and intelligent, making us the audience more engaged to the movie. William Shakespeare’s play Romeo and Juliet was composed to adjust to any audience, with this in mind, Baz Luhrmann developed a movie that uses to modern-day audience through upgrading it, he has done this through constant alternation of props, such as the balcony scene, which lure the audience in to really feeling the spirit of Shakespeare.

For the majority of contemporary audiences, the Luhrmann image is busy, keeping the viewer intrigued, while the initial play joints uninspiring and dull to the majority of viewers which are teenagers, they might feel that they remain in an endless labyrinth of long and uninteresting conversations. By modernising there elements of the play, and reconstructing the beginning, Luhrmann produced a movie that is more fascinating to the contemporary audience and records the essence of Shakespeare’s writing. Baz Luhrmann’s adjustment from the original play, particularly the veranda scene, is modern and quite innovative.