Shakespeare – Romeo and Juliet Act 3 Scene 1 Analysis

Romeo and Juliet Coursework In Act 3 Scene 1 of Romeo & & Juliet, Shakespeare raises the excitement and the stress throughout the scene by utilizing remarkable tension in between the characters, provocative and threatening discussion, strong language impacts, and sharp important violence. The scene starts with Benvolio and Mercutio coming on to phase, with Benvolio suggesting they need to go house in case they fulfill the Capulets and the violence takes place. “The day is hot, the Capels are abroad, And if we satisfy we shall not scape a brawl, for now, these hot days, is the mad blood stirring.

This pathetic fallacy and strong picture of mad blood produces an expectation in the audience of violent events to come. This expectation seems to be satisfied fulfilled rapidly as Tybalt enters with other members of the Capulet family and some servants and immediately a significant stress is developed between the 2 factions. We are shown that Mercutio remains in a difficult mindset.” ‘By my head here comes the Capulets’ ‘By my heel, I care not.'” Clearly Mercutio is in an aggressive state of mind. Tybalt addresses Mercutio and Benvolio. ‘Gentlemen, good den, a word with among you'” Approximately this point, Tybalt is courteous– his quarrel is with Romeo, not with Benvolio or Mercutio. However Mercutio is incredibly provocatice and he responds to Tybalt, asking a word with one of them with, “Make it a word and a blow.” The audience feels there is a fight in possibility. When Tybalt says that Mercutio accompaniments with Romeo, Mercutio sees an insult where there is none. “Accompaniment? what, dost thou make us minstrels? an thou make minstrels of us, aim to hear absolutely nothing however discords: here’s my fiddlestick; here’s that shall make you dance. Zounds, accompaniment!” A gentleman can not accept being compared to a lowly artist, but this is not what Tybalt indicated and the audience feel expectation of fear and violence. Now Romeo goes into, and now the focus of the tension moves as a significant stress is developed in between Romeo and Tybalt. Tybalt states to Mercutio: “Well, peace be with you sir, here comes my male.” It is weird that Tybalt is prepared to swallow such provocation from Mercutio, simply as Romeo will soon swallow his.

Tybalt puts Romeo in a circumstance in which almost no gentleman could decline to eliminate. “Thou art a bad guy.” he says however Romeo does not respond with aggression. Now a new element of intrigue and excitement features a kind of dramatic paradox. The audience knows why Romeo does not wish to battle Tybalt– they have simply become loved ones- but the other characters do not understand. Romeo appears quite unmanly when instead of fighting Tybalt for his honour he swallows the insult, stating “I do oppose I never ever injuried thee, But enjoyed thee better than thou canst develop. Again the audience knows, can “design”, the factor, however Mercutio sees it as cowardice. Now the excitement goes up a notch as Mercutio starts the violence and we are to have the sword fight the audience has actually been anticipating. Mercutio condemns Romeo’s tranquil methods. “O calm, dishonourable, repellent submission! Alla stoccata carries it away. (Draws) Tybalt, you rat-catcher, will you walk?” The ‘vile submission’ shows what a humiliation Mercutio believes Romeo is accepting; the insult ‘rat catcher’ makes it almost specific Tybalt will have to battle.

Now the sword play starts, and the audience not only have the enjoyment and great remarkable action of two fighters attempting to eliminate each other however also the sight of Romeo trying to stop the defend the reasons just he and the audience understand. With a terrible irony it is Romeo’s efforts to separate the two men that give Tybalt the chance to stab Mercutio, a good friend of Romeo’s on the Montague’s side. Now the audience has actually put in suspense wondering whether Mercutio is going to die or not. Romeo raises their hopes that he might live. (“Guts guy, the hurt can not be much. ); however Mercutio appears to understand that he is a dead guy. “An afflict o’ both your houses! They have actually made worms’ meat of me: I have it, And peacefully too: your homes!” The dramatic and terrifying picture of worm’s meat makes Mercutio’s last words really powerful; and his cursing of the Capulets and the Montagues shows that he blames their useless fight for his death. The scene now takes another turn as Romeo puts aside all idea of peace, and ends up being aggressive. Benvolio tells him that Mercutio is dead, and Romeo selects vengeance in spite of his marriage to Juliet. This day’s black fate on more days doth depend; This but starts the woe, others must end” The audience is placed on more thriller with this foreboding of more strife and death. Tybalt returns, perhaps to continue his quarrel with Romeo however strangely this time, alone and Romeo fixes on violence. “Away to heaven, respective lenity, And fire-eyed fury be my conduct now!” With the enthusiasm of this language and the remarkable tension as soon as again onstage between Romeo and Tybalt, the scene approaches its climax.

Tybalt states that he will send out Romeo’s soul after Mercutio’s. “Thou, sorrowful boy, that didst accompaniment him here, Shalt with him hence.” The audience understand that either Tybalt or Romeo must pass away. Now we have the 2nd sword battle in this scene and this is the climax. As Romeo kills Tybalt he takes his vengeance for Mercutio’s death, he gets rid of his primary enemy in the Capulet camp, and he puts his relationship with the love of his life in serious danger– this is the peak of the enjoyment and stress.

Now Shakespeare lets the audience unwind a little as Benvolio discusses what has actually occurred and the Prince orders Romeo exile but not death. From foreboding at the very beginning of the scene to mortal insults and provocation, to sword combating and death, to the audience’s awareness that something awfully incorrect has actually happened to Romeo and Juliet’s romance Shakespeare utilizes a vast array of dramatic and language devices to make the scene one of the interesting and massive stress.