Shakespeare – Romeo and Juliet Act 3 Scene 1 Analysis

Romeo and Juliet Coursework In Act 3 Scene 1 of Romeo & & Juliet, Shakespeare raises the excitement and the tension throughout the scene by utilizing remarkable stress between the characters, intriguing and threatening discussion, strong language results, and sharp essential violence. The scene begins with Benvolio and Mercutio coming on to phase, with Benvolio recommending they ought to go house in case they satisfy the Capulets and the violence takes place. “The day is hot, the Capels are abroad, And if we satisfy we shall not scape a brawl, for now, these hot days, is the mad blood stirring.

This worthless fallacy and strong picture of mad blood produces an expectation in the audience of violent events to come. This expectation seems to be met satisfied quickly as Tybalt enters with other members of the Capulet family and some servants and instantly a remarkable tension is developed in between the two factions. We are shown that Mercutio remains in a tough frame of mind.” ‘By my head here comes the Capulets’ ‘By my heel, I care not.'” Clearly Mercutio remains in an aggressive state of mind. Tybalt addresses Mercutio and Benvolio. ‘Gentlemen, excellent den, a word with one of you'” As much as this point, Tybalt is polite– his quarrel is with Romeo, not with Benvolio or Mercutio. However Mercutio is exceptionally provocatice and he responds to Tybalt, asking a word with among them with, “Make it a word and a blow.” The audience feels there is a battle in prospect. When Tybalt states that Mercutio accompaniments with Romeo, Mercutio sees an insult where there is none. “Consort? what, dost thou make us minstrels? an thou make minstrels people, aim to hear absolutely nothing however discords: here’s my fiddlestick; here’s that shall make you dance. Zounds, accompaniment!” A gentleman can decline being compared to a lowly artist, however this is not what Tybalt suggested and the audience feel expectation of fear and violence. Now Romeo gets in, and now the focus of the tension shifts as a significant stress is developed between Romeo and Tybalt. Tybalt says to Mercutio: “Well, peace be with you sir, here comes my man.” It is strange that Tybalt is prepared to swallow such provocation from Mercutio, just as Romeo will soon swallow his.

Tybalt puts Romeo in a situation in which nearly no gentleman could refuse to combat. “Thou art a bad guy.” he says however Romeo does not react with aggressiveness. Now a new component of intrigue and enjoyment comes with a kind of remarkable irony. The audience understands why Romeo does not wish to fight Tybalt– they have actually just become loved ones- however the other characters do not know. Romeo seems rather unmanly when instead of fighting Tybalt for his honour he swallows the insult, saying “I do protest I never injuried thee, However enjoyed thee much better than thou canst create. Once again the audience knows, can “design”, the factor, however Mercutio sees it as cowardice. Now the excitement moves up a notch as Mercutio starts the violence and we are to have the sword battle the audience has been anticipating. Mercutio condemns Romeo’s tranquil methods. “O calm, dishonourable, disgusting submission! Alla stoccata brings it away. (Draws) Tybalt, you rat-catcher, will you stroll?” The ‘disgusting submission’ shows what an embarrassment Mercutio thinks Romeo is accepting; the insult ‘rat catcher’ makes it nearly particular Tybalt will have to battle.

Now the sword play begins, and the audience not only have the enjoyment and fantastic remarkable action of 2 fighters trying to kill each other but also the sight of Romeo trying to stop the defend the reasons just he and the audience know. With a tragic irony it is Romeo’s efforts to separate the two men that give Tybalt the possibility to stab Mercutio, a buddy of Romeo’s on the Montague’s side. Now the audience has actually put in thriller wondering whether Mercutio is going to pass away or not. Romeo raises their hopes that he might live. (“Guts man, the hurt can not be much. ); but Mercutio appears to know that he is a dead guy. “An afflict o’ both your homes! They have actually made worms’ meat of me: I have it, And soundly too: your homes!” The dramatic and terrifying image of worm’s meat makes Mercutio’s last words extremely powerful; and his cursing of the Capulets and the Montagues shows that he blames their worthless feud for his death. The scene now takes another turn as Romeo puts aside all thought of peace, and ends up being military. Benvolio informs him that Mercutio is dead, and Romeo decides on vengeance in spite of his marital relationship to Juliet. This day’s black fate on more days doth depend; This however starts the trouble, others should end” The audience is placed on more thriller with this foreboding of more strife and death. Tybalt returns, perhaps to continue his quarrel with Romeo but strangely this time, alone and Romeo resolves on violence. “Away to paradise, respective lenity, And fire-eyed fury be my conduct now!” With the enthusiasm of this language and the remarkable tension when again onstage in between Romeo and Tybalt, the scene approaches its climax.

Tybalt declares that he will send Romeo’s soul after Mercutio’s. “Thou, wretched boy, that didst consort him here, Shalt with him thus.” The audience comprehend that either Tybalt or Romeo need to pass away. Now we have the second sword fight in this scene and this is the climax. As Romeo eliminates Tybalt he takes his vengeance for Mercutio’s death, he gets rid of his primary enemy in the Capulet camp, and he puts his relationship with the love of his life in grave danger– this is the peak of the excitement and tension.

Now Shakespeare lets the audience unwind a little as Benvolio discusses what has taken place and the Prince orders Romeo exile but not death. From foreboding at the very start of the scene to mortal insults and provocation, to sword combating and death, to the audience’s awareness that something awfully wrong has occurred to Romeo and Juliet’s romance Shakespeare uses a wide range of remarkable and language devices to make the scene among the interesting and huge tension.