Shattering the American Dream: a Comparison Essay In Between Death of a Salesman
Shattering the American Dream: A Comparison Essay in between Death of a Salesperson And Flesh and Blood The American Dream has mesmerized the hearts of countless cowboys, showgirls, immigrants, and refugees. All walks of life from the impoverished jobs to the suburbs have actually fantasized the success and complacency assured by America. Two novels, with nearly fifty-years between the two, have worked vigilantly to pierce through this mirage of promise. Death of a Salesman, a play by Arthur Miller, follows the Lohman household for 2 days of injury and catastrophe as they battle with hysteria, pride, family commitment, and the sensation of insignificance.
Flesh and Blood, by Michael Cunningham, covers three generations of the Stassos household and vividly portrays their tumultuous journey to the realisation there is a thin line drawn between happiness and despondence. Where Death of a Salesman works to shed light on the bigotry that is the American Dream, Flesh and Blood manages to pry it apart piece by piece while concurrently flattening the Dream with it’s audacious intentions and much more impetuous design of composing.
Nevertheless, 3 elements the two stories show each other in their efforts to show the truth of American life remains in their representation of household loyalty, the illustration of adultery, and the use of death as a driver to snap the chords that seem to hold family together with feature. To begin with, commitment to household plays a major role in both books. In The Death of a Salesperson, Biff’s appreciation of his dad is regularly entering into question; “Happy: You’re not still sour on Daddy, are you, Biff?” “Biff: He’s all right, I think.” (pg. 14).
Willy is likewise deeply impacted by individuals’s understanding of him; evidence of this can be seen during among Willy’s hallucinations, “I took place to be calling on F. H Stewart … I heard him state something about’ walrus. And I cracked him right throughout the face.” (p. g. 29). It would be suffice to say that Biff’s lack of respect towards his father would have a significant influence on Willy’s improvement. Willy, through the duality of his streams of consciousness, both dreams and thinks that Biff would make a trusted white-collared salesperson as part of his American dream.
Biff nevertheless, through absence of motivation originating from different sources, is not able to find appropriate employment and is wilted in the eyes of his dad. The irony is that Willy is one of the greatest sources for Biff’s insufficiency. Having filled him up with absolutely nothing but pledge of the future, Biff’s colossal possible became deflated in his last year of high-school when his invulnerability showed after flunking math, and his hope was eventually popped by his father when Biff caught him with another woman while visiting his father in Boston; “Biff: And I never got anywhere because you blew me so complete of hot air … That’s whose fault it is! (p. g. 104). As indicated by Bernard, it was eventually this minute in Boston that messed up Biff’s prospects of going to the University of Virginia. The commitment demanded by Willy appears to be peaches when compared to that of Constantine in Flesh and Blood. His better half and 3 children lived in a continuous vice between Constantine’s mood and ambitions. The central displeasure between the Stassos family is between Constantine and his son, Billy (who alters his name to Willy in while going to university).
Although Billy occupies a far less ambitious and more compassionate creature than Constantine, he has actually inherited his dad’s stubbornness, which can be illustrated in any variety of their various arguments. The most remarkable being discovered on page 109 where Billy throws his flowered t-shirt and boots at his dad assuring to pay back for whatever his daddy ever purchased him. Through the eyes of Constantine, Billy is someplace in between a dissatisfaction and a stopped working experiment.
Although he is a Harvard graduate, Constantine feels he has no way to connect to his child’s flamboyant nature while Billy feels his father is a mere reincarnation of Ivan the IV. Infidelity also plays a significant role in dividing the Stassos household as it eventually leads to the divorce of Constantine and his better half, Linda. The affair in between Susan and Joel, although discrete, revealed the vulnerability of marriage as Susan had never seriously contemplated or had any reason to have an affair, however merely it was the result of a specific series of events and a couple of whims.