Brief Summary of Romeo and Juliet
Short Summary The play is embeded in Verona, Italy, where a fight has broken out between the households of the Montegues and the Capulets. The servants of both homes open the play with a brawling scene that ultimately draws in the noblemen of the households and the city authorities, including Prince Escalus. Romeo is lamenting the fact that he is love with a female named Rosaline, who has sworn to stay chaste for the rest of her life. He and his good friend Benvolio take place to come across a servant of the Capulet’s in the street.
The servant, Peter, is trying to check out a list of names of individuals welcomed to a masked celebration at the Capulet home that evening. Romeo helps him read the list and gets an invitation to the celebration. Romeo comes to the party in outfit and falls for Juliet the minute he sees her. However, he is acknowledged by Tybalt, Juliet’s cousin, who wishes to kill him on the area. Capulet steps in and tells Tybalt that he will not disrupt the celebration for any quantity of cash. Romeo handles to approach Juliet and inform her that he loves her. She and he share a sonnet and complete it with a kiss.
Juliet’s Nurse informs Romeo who Juliet really is, and he is disturbed when he finds out he loves the child of Capulet. Juliet also discovers who Romeo is, and laments the fact that she loves her enemy. Soon thereafter Romeo climbs the garden wall causing Juliet’s garden. Juliet emerges on her terrace and speaks her personal ideas out loud, imagining herself alone. She wants Romeo might shed his name and wed her. At this, Romeo appears and tells her that he likes her. She cautions him to be true in his love to her, and makes him swear by his own self that he really loves her.
Juliet then is called within, but manages to return twice to call Romeo back to her. They concur that Juliet will send her Nurse to meet him at 9 o’clock the next day, at which point Romeo will set a place for them to be wed. The Nurse performs her duty, and informs Juliet to satisfy Romeo at the chapel where Friar Laurence lives and works. Juliet goes to find Romeo, and together they are wed by the Friar. Benvolio and Mercutio, a buddy of the Montegues, are waiting on the street when Tybalt gets here.
Tybalt demands to understand where Romeo is so that he can challenge him to battle, in order to avenge Romeo’s sneaking into the celebration. Mercutio is eloquently vague, however Romeo happens to show up in the middle of the spoken bantering. Tybalt challenges him, but Romeo passively resists battling, at which point Mercutio leaps in and draws his sword on Tybalt. Romeo attempts to block the 2 men, but Tybalt cuts Mercutio and runs away, only to return after he hears tha. Mercutio has died. Romeo fights with Tybalt and eliminates him. When Prince Escalus gets to the murder scene he picks to get rid of Romeo from Verona forever.
The Nurse goes to tell Juliet the sad news about what has happened to Tybalt and Romeo. Juliet is heart-broken, but soon recuperates when she recognizes that Romeo would have been eliminated if he had actually not combated Tybalt. She sends the Nurse to find Romeo and offer him her ring. Romeo comes that night and sleeps with Juliet. The next early morning he is required to leave at sunset when Juliet’s mother shows up. Romeo goes to Mantua where he awaits someone to send out news about Juliet or about his banishment. Throughout the night Capulet chooses that Juliet must marry a boy called Paris.
He and Woman Capulet go to tell Juliet that she ought to marry Paris, however when she refuses to obey Capulet ends up being exasperated and orders her to abide by his orders. He then leaves, and is quickly followed by Lady Capulet and the Nurse, whom Juliet tosses out of the space, saying, “ancient damnation” (3. 5. 235). Juliet then goes to Friar Laurence, who gives her a potion that will make her appear dead for a minimum of two days. She takes the potion and consumes it that night. The next morning, the day Juliet is expected to wed Paris, her Nurse finds her “dead” in bed.
The entire house decries her suicide, and Friar Laurence makes them hurry to put her into the family vault. Romeo’s servant shows up in Mantua and tells his master that Juliet is dead and buried. Romeo rushes back to Verona. Friar Laurence discovers far too late from Friar John that his message to Romeo has stopped working to be delivered. He hurries to get to Juliet’s tomb prior to Romeo does. Romeo gets to the Capulet vault and finds it safeguarded by Paris, who is there to grieve the loss of his betrothed. Paris challenges Romeo to a duel, and is quickly killed.
Romeo then carries Paris into the grave and sets his body down. Seeing Juliet dead within the tomb, Romeo drinks some poison he has acquired and dies kissing her. Friar Laurence shows up simply as Juliet awakens within the bloody vault. He attempts to get her to come out, however when she sees Romeo dead beside her, Juliet takes his dagger and kills herself with it. The rest of the town begins to arrive, including Capulet and Montegue. Friar Laurence informs them the whole story. The two family patriarches consent to become friends by setting up golden statues of the other’s child. About Shakespearean Theater
Before Shakespeare? s time and throughout his boyhood, performers of actors performed any place they might ¬ in halls, courts, courtyards, and any other open spaces readily available. However, in 1574, when Shakespeare was 10 years old, the Common Council passed a law needing plays and theaters in London to be accredited. In 1576, star and future Lord Chamberlain’s Male, James Burbage, built the first irreversible theater, called “The Theatre”, outside London city walls. After this a lot more theaters were developed, consisting of the Globe Theatre, which was where most of Shakespeare’s plays premiered.
Elizabethan theaters were generally built after the design of the initial Theatre. Developed of wood, these theaters made up 3 tiers of seats in a circular shape, with a phase area on one side of the circle. The audience’s seats and part of the phase were roofed, but much of the main phase and the location in front of the phase in the center of the circle were open to the elements. About 1,500 audience members could pay extra money to sit in the covered seating areas, while about 800 “groundlings” paid less cash to stand in this open area prior to the stage.
The phase itself was divided into 3 levels: a primary stage location with doors at the back and a curtained location in the back for “discovery scenes”; an upper, canopied location called “paradise” for veranda scenes; and an area under the phase called “hell,” accessed by a trap door in the stage. There were dressing rooms situated behind the phase, but no curtain in the front of the stage, which suggested that scenes needed to stream into each other, and “dead bodies” needed to be dragged off. Performances occurred during the day, utilizing natural light from the open center of the theater.
Because there could be no remarkable lighting and there was very little landscapes or props, audiences relied on the stars’ lines and stage directions to supply the time of day and year, the weather condition, area, and state of mind of the scenes. Shakespeare’s plays masterfully provide this info. For instance, in Hamlet the audience discovers within the very first twenty lines of dialogue where the scene happens (“Have you had peaceful guard? “), what time of day it is (“‘T is now strook twelf”), what the weather condition is like (“‘T is bitter cold”), and what state of mind the characters are in (“and I am sick at heart”). One crucial ifference in between plays written in Shakespeare’s time and those written today is that Elizabethan plays were released after their performances, in some cases even after their authors’ deaths, and were in many ways a record of what took place on phase during these performances rather than instructions for what ought to occur. Stars were permitted to suggest changes to scenes and dialogue and had a lot more liberty with their parts than stars today. Shakespeare’s plays are no exception. In Hamlet, for instance, much of the plot revolves around the fact that Hamlet writes his own scene to be contributed to a play in order to ensnare his homicidal father.
Shakespeare’s plays were published in different kinds and with a wide range of precision during his time. The inconsistencies in between versions of his plays from one publication to the next make it difficult for editors to put together reliable editions of his works. Plays might be released in large anthologies called Folios (the First Folio of Shakespeare’s plays includes 36 plays) or smaller sized Quartos. Folios were so named because of the method their paper was folded in half to make chunks of two pages each which were stitched to make a big volume. Quartos were smaller sized, cheaper books including only one play.
Their paper was folded twice, making four pages. In general, the First Folio is of better quality than the books. Therefore, plays that are printed in the First Folio are much easier for editors to put together. Although Shakespeare’s language and classical referrals appear antiquated to some contemporary readers, they were prevalent to his audiences. His audiences came from all classes, and his plays interested all sort of perceptiveness, from “highbrow” accounts of kings and queens of old to the “lowbrow” blunderings of clowns and servants. Even his most tragic plays consist of clown characters for comic relief and to comment on the occasions of the play.
Audiences would have been familiar with his various references to classical mythology and literature, considering that these stories were staples of the Elizabethan understanding base. While Shakespeare? s plays interested all levels of society and included familiar story lines and themes, they likewise expanded his audiences’ vocabularies. Many expressions and words that we use today, like “wonder,” “in my mind’s eye,” and “the milk of human compassion” were coined by Shakespeare. His plays contain a higher range and variety of words than almost any other work in the English language, showing that he fasted to