The Catcher in the Rye – The Protagonist

The Catcher in the Rye– The Lead character

Although Salinger has actually fallen out of vital favor since of his sentimentality, it is typically concurred that Catcher has yet to be exceeded in its portrayal of the discomforts and pleasures of a youth searching for love and instructions. In all his work Salinger brings into play the experience of his own life. For example, his moms and dads shared the exact same backgrounds as do those of his fictive Glass household. An undistinguished trainee, Salinger flunked out of private high school. His family sent him to Valley Forge Military Academy, the design the Catcher’s Pencey Prep (Contemporary Literary Criticism Vol. 3).

The lead character of The Catcher in the Rye, Holden Caulfield, is one of these American heroes, but with a considerable difference. He seems to be engaged in both sorts of quests simultaneously; he requires to go house and he requires to leave it. Unlike the other American knight errants, Holden seeks Virtue 2nd to love. He wishes to be good. When the kids are playing in the rye-field on the clifftop, Holden wishes to be the one who captures them prior to they fall off the cliff. Like these American heroes, Holden is a wanderer, for in order to be great he has to be more of a bad boy than the puritanical Huck might have imagined.Holden has had enough of both Hannibal, Missouri, and the Mississippi; and his disaster is that when he starts back up the river, he has no location to go- save, obviously, a California psychiatrist’s couch (Contemporary Literary Criticism, Vol.

12). Holden’s mission takes him outside society; yet the grail he looks for is the world and the grail has lots of love. To be a catcher in the rye in this world is possible just at the price of leaving it. To be good is to be a “case,” a “bad kid” who confuses the society of guys. So Holden seeks the one role which would permit him to be a catcher, which role is the role of the child.As a child, he would be condoned, for a kid is a sort of savage and a parish due to the fact that he is innocent and excellent. But it is Holden’s disaster that he is sixteen, and like Wordsworth he can never ever be less.

(Contemporary Literary Criticism, Vol. 8) Holden does not experience the inability to love, but he does misery of finding a place to bestow his love. The depth of Holden’s capability for love is exposed in his final words, as he sits in the psychiatric ward musing over his horrible experiences. (Contemporary Literary Criticism, Vol. 5) Holden does not decline to grow up even he agonizes over the state of being grown up.The innocent world of childhood is amply represented in The Catcher in the Rye, however Holden, as annoyed, disillusioned, anxious hero, represents modern man instead of simply for the contemporary adolescent. He is self-conscious and frequently ludicrous, however he is also an anguished human of special level of sensitivity.

He is typically childishly ingenuous and his language is frequently comic. Holden needs to be seen as both a representative and a critic of the contemporary environment, as the highly subjective tone of the novel recommends. (Contemporary Literary Criticism, Vol. 12)The Catcher in the Rye is an important articulation of among the possible reactions which guy might make to an essentially destructive life experience. Holden reasons that there is no satisfaction in the adult world. It can only use male disappointment or corruption. The only rewarding task to which he can devote himself is that of that protector who stops kids prior to they get in the world of damage and phoniness and keeps them in a state of arrested innocence.

What Salinger leaves us with in this book is an often biting picture of the absurd modern milieu.The idea of perpetuating the innocence of childhood is a philosophically untenable position (Contemporary Literary Criticism, Vol. 5) Holden’s feelings also predominate over his experiences of things outside himself. Each of his experiences normally excites within him an immediate emotional response, over which he exerts no reasonable control. Due to the fact that Holden normally responds to things outside himself with no conception of the causal relationship in between his experiences and his emotional responses, he views his world as a place where things normally take place to him suddenly as instant occurrences.One might worry, they take place to him as though by possibility: “Then all of a sudden, something really scary began taking place”; “Then something horrible occurred simply as I got in the park”; “Then, suddenly, I entered into this big mess.” It is essential to realize that this sense of immediacy accompanying whatever that takes place to Holden divides his existence into a temporal series of seemingly separated instances happening one after the other (Contemporary Literary Criticism, Vol.

3). Holden’s sense of immediacy within each thing that happens to him also causes his sense of transiency. Because he experiences his world temporally, with today minute always ending up being a segment of the past. Holden views his life as remaining in a state of consistent modification. Given that a developed intellect is needed to understand immutable conceptions, and since Holden’s “thinking” is limited to his sense of the mutability of life, Holden stays caught within time, not able to recognize anything irreversible in human existence (Contemporary Literary Criticism, Vol. ). One may conclude by worrying that Holden is talking, not to an expert, however to you, the reader.

Holden is talking directly to anybody who might be as “distressed ethically and spiritually” as Holden was about the nature of this world in which everyone exists. He offers his narration of The Catcher in the Rye as a record of his troubles for anybody who might wish to gain from his experiences. As Mr. Antolini states, “It’s a beautiful mutual arrangement. And it isn’t education. It’s history. It’s poetry.

” (Contemporary Literary Criticism, Vol. 12)