Turning Point in Othello

Turning Point in Othello

Othello– Act III Scene III Othello by william shakespeare is a catastrophe thought to have been written in the 1600s, and is certainly among shakespeare’s most popular pieces of work. The play deals with numerous themes such as jealousy and deceptiveness, and good and wicked, all of which are centered around the awful hero O. Throughout the play it has been discovered how Othello, a black man, has gotten rid of the racist views of others living in that time period, and wed the stunning white female Desdemona, and likewise risen up in the ranks and been made a captain.

Iago, puppet master, jealous of Othello and Desdemona, also of a man called Cassios promotion over him. It is iago who invokes a strategy to trick, deceive and ultimately destroy O. Act III Scene III is where Iago’s strategy really starts. This scene has actually been referred to as the “turning point” of the play, or as the “temptation scene”, and could be argued to be the most crucial scene in the entire play. In it Iago speaks thoroughly and at length with Othello, and subtly plant the seed of suspicion and jealousy in his mind. It is this seed which produces the tragic events of the play.

Ironically it is Desdemona’s compassion and innocence which cause these events as she attempts to have Cassio renewed to his previous position as Captain. The scene opens with D informing C she will do all she can to affect her husband in fixing up with him. “Ill intermingle every thing he finishes with Cassio’s suit.” Desdemona shows great determination and a kind heart in fighting for Cassio. Ironically it this kind heartedness that causes her downfall and her death. It is her determination that fuels Othello’s jealousy, filling his head with thoughts of her love for Cassio.

It is known how strong Othello’s love for D is and that he takes care of her more than his own life, nevertheless, this then amplifies Othello’s jealousy causing such tragic consequences. After Desdemona talks with Cassio, Emelia see’s O and I approach. Cassio, feeling unpleasant given that his disagreement and demotion by Othello scurries off. iago make the majority of this not wishing to miss out on a chance to add to his plan. “Ha! I think I like not that.” Here Iago acts as a sincere witness, nevertheless he discreetly begins to taint Desdemona’s adultery.

By saying this, he indicates that C has some sort of considerate significance, thus planting the seed of suspicion in Othello’s mind. As the scene advances, and Othellos curiosity grows, as he see’s absolutely nothing awry, Iago makes a program of not wanting to mention it or of C. All the while, he insinuates that Cassio wasn’t simply leaving, but was “taking away so guilty like”. These words are the most incriminating thing he could state describing C. They reestablish these feeling of suspicion into Othello’s subconscious.

His mood of agitation and secretness agitates O, causing him to question his loyalty and honour towards his wife. This is compounded when D goes into advocating C’s old position. As Othello’s suspicion grows so does his perseverance. He loses his more poetic design of speaking in Iambic pentameter and off hand remarks end up being more prominent. After much talk of Cassio, Desdemona exits the scene. It is then that Othello is left alone with Iago. He then scolds himself for being irritated with his wife. “Outstanding rascal! Perdition catch my soul, But I do enjoy thee! and when I like thee not, Chaos is returned! “

Regardless of, revealing O’s deep and passionate love for D, with him speaking of how the princibal of humanity would be gone without her there is an aspect of prophecy present likewise. Perdition will ultimately capture O’s soul, and mayhem will consume his life. As the scene continues, Iago manipulates O even further. He is a knowledgeable liar and handles to present himself still as an entirely innocent character, encouraging O of the affair without directly referring to it. he appears to be hesitant and unwilling to tell Othello this incorrect trick. He begins to poison O’s mind with O continually referring to him as “truthful Iago”.

What he is in fact doing is making O believe that iago’s honour is at stake if he confesses his fears. At first he just speaks the word “jealousy” aloud, hence, repairing it in Os imagination. He then utilizes “green eye ‘d beast”. He proceeds to state that Othello has currently prior to betrayed her own flesh and blood in weding him versus her fathers will, which she might naturally do it again. After the two men state their farewells and leave, Othello speaks in a soliloquy, and his usage of imagery stresses the appalling modification in his character. Othello is only specific of something, which is the “exceeding honesty” of Iago.

Convulsed with introspection, he curses his black skin and social beautifies. Othello’s psychological agony approaches its climax as we approach the real turning point of the drama. Othello’s mind is torn in between Desdemona’s alleged cheating and his own unworthiness, and he compares himself to repellent animals. “I ‘d rather be a toad and live on the vapour of a dungeon.” Othello is ravaged by self loathing, with his pride in himself and in d’s love for him destroyed. Hours back, he was filled with the spirit of a young groom; now he is decreased to ignominy. His soul and heart are torn, disliking himself, and his own self worth.

Later, it can be seen just how changed O is. Early in the drama, Othello was seen to be a very poetic speaker. He spoke fluently and mainly in Iambic Pentameter. As Iago lies to him about Cassio calling out D’s name in his sleep and him how he seen with his own eyes cassio wiping his beard with d’s cherished handkerchief, Othello proves himself to be sufficiently mad. “All my love therefore do I blow to paradise. Tis gone” Othello here states any love he had for his better half, now ruined. This contrasts enormously with the honorable Moor from the star of the play, whose deep love for his spouse was most apparent.

Now he denies any feeling for her but loathing and hate, later saying he wants nothing but vengeance on his wife and her false enthusiast. Believing just “bloody thoughts”, comparing them to the sea’s compulsive existing, one which never ever recedes however only keeps going till it reaches its destination. In this simile, Othello stresses his high status, as gotten out of an awful hero, identifying himself with big and magnificent components of nature. Similarly crucial, the simile explains the absoluteness of o’s character. There is no going back for him, and his vengeance is ensured.

He solemnly promises to perform “a capable and large revenge”, and then kneels. Othello speaks as though he see’s himself as the rightful scourge of evil, as executing the general public justice rather than his own individual revenge. Iago quotes Othello not to stand, and kneels next to him, committing himself to Othello’s service. To prove I’s commitment O orders Iago to see that C is dead within 3 days. One can not envision more welcome words to Iago, after the strong jealousy he has felt versus Cassio for so long. This was one of the reasons he selected to manipulate Othello.

Othello states he will eliminate Desdemona himself. He then tragically declares: “I am your own for ever.” By the end of Act III Scene III, Iago has handled to secure dominance over Othello. Reversing the roles of master and servant. Othello’s soul is so hopelessly lost in Iago’s web of treachery, he has declared Iago lieutenant and has also pledged to remain faithful to his ‘partner’. Iago, through his lies and adjustment has handled to change Othello completely. Turning him from great to evil in a matter of hours. Therefore, making scene a crucial turning point in “Othello”.