Alice Walker’s narrative “Everyday Usage” is embeded in Southern United States throughout the 1960’s to 1970’s, a time recognized for its value in the Black Power Movement. After returning from college, Dee showcases a newly found love towards her Afro-centric roots, one she did not screen while growing up in her mom’s house. Walker utilizes the numerous settings that the Johnson household each originates from to identify the personality of Dee and her misconception of the Black Power Movement. The unexpected modification in responses and impressions that Dee expresses towards her old house before leaving for college and existing home after returning emphasize the lack of sincerity behind Dee’s unexpected affinity towards African culture.
Prior to Dee left for college, the mom states how Dee “had actually disliked the house that much” (1227 ). The mother worries that the similarities in between the brand-new house and its predecessor will anger Dee. The lack of real windows, the pasture setting, and the tin roofing of the house were not the product items that the mother keeps in mind Dee utilized to consume over. Rather, Mrs. Johnson feels Dee would wish to “tear it down”, most likely due to the lack of elegance the house originates (1228 ). This gives a sense that Dee values items and products revealing class and similar shallow qualities over anything else. A house such as the one she lives in exhibits a lack of sophistication and style in the world that Mrs. Johnson describes. Dee takes pride from the validation of other people’s understandings of her. Nevertheless, when Dee arrives, her response to the house totally shocks her mom. She begins taking a number of pictures of Maggie, Mrs. Johnson, the cow, and most importantly your house. Mrs. Johnson states, “She never conjectures without ensuring your home is included” (1229 ). This behavior is strange, as the mom previously mentions that the brand-new home resembles the one that Dee had actually hated so much.
Walker has the ability to reveal how rapidly Dee’s viewpoint has changed of your house, most likely due to her exposure to the Black Power Motion throughout her time at college. Many young African-Americans such as Dee began took pride in their Afro-centric roots at the time of the movement; however, this likewise shows Dee’s absence of sincerity due to her propensity to look for validation from her peers. This describes why Dee takes numerous images of your house, the cow, and her household. It is not due to the fact that of an authentic sense of pride for her African descent, but rather that Dee wants to impress her friends by exposing how African she is. Walker utilizes the Johnson’s house to paint Dee as a character more obsessed with the social connotations of being African at the time of the Black Power Motion, instead of genuinely being proud to be an African-American. Walker displays Dee’s hypocrisy in her treatment of your home and her mother’s home items. For instance, when requesting the butter churn leading from her mom, Dee states, “I can utilize the churn leading as a focal point for the alcove table,” (1231 ). Rather than respect making use of the item and utilize it for its intended function, Dee sees more worth in keeping the churn top as a masterpiece that she would have the ability to show her buddies. This treatment is likewise revealed towards your house when Dee brings Hakim-a-barber to your home for the very first time. The mom remembers that Dee particularly had actually told her “no matter where we ‘select’ to live … she will never bring her good friends” (1228 ). Probably, Dee felt embarrassed to live in a home that she could disappoint off to her pals at the time, and therefore avoided even bringing them to your house. Nevertheless, after being exposed to the Black Power Motion while attending college, Dee is now elated to show Hakim-a-barber house, due to the fact that of how African it is.
Rather than see the greater purpose of the cause she is trying to be a part of, Dee remains caught in materialistic and surface area level aspects of the Black Power Motion that she is so enamored with. Dee’s treatment of your house and family items reveals a lack of understanding of why she is happy to be of African descent. The function of the Black Power Movement was to utilize pride of the heritage African-Americans originated from as a method to combat versus the persecution numerous dealt with during this time period. Walker utilizes the background of the 1960’s and 1970’s Black Power Movement to expose Dee’s maltreatment of her household under the pretext of looking after their culture. For instance, Dee ends up being increasingly harmful towards her mother when her mom declines to provide Dee the quilts. Dee says that Maggie would not use the quilts properly and says, “You simply will not comprehend. The point is these quilts, these quilts!” (1232 ). Dee sees herself more deserving of the quilts than Maggie, as Dee feels she understands the culture much better than Maggie or Mrs. Johnson ever would. The overbearing habits Dee fights by changing her name is associated to her maltreatment of her household.
Throughout “Daily Usage,” Dee quelches her family for her own gain, primarily to prove the culture they share is more widespread in her life rather than in theirs. This ideology contradicts the function of the Black Power Movement, highlighting a lack of maturity and understanding in Dee. Walker’s illustrative use of setting accentuates the differences Dee has with her household within the realm of their shared culture. Differences in the age and the impacts that a character grows up with have a settling impact in molding their character, as shown in Dee. Walker hence utilizes Dee and her social influences to reveal the absence of understanding a person has on any subject that is viewed from a minimal point of view.