Women vs. Men in Othello

Females vs. Male in Othello

Ladies vs. Men in Othello Whether deliberate or not, William Shakespeare’s Othello can be seen (aid) from a feminist point of view. Numerous scholars constantly argue that Othello consists of a male dominated society in which the females play an unimportant role. While this argument shows mainly precise in the political world, ladies control society and love in ways that overwhelm the strengths of men, ultimately leading to the disgraceful downfalls of guys. In Venetian society at this particular time in history, females are viewed as weak, subordinate, and even woman of the streets.

Shakespeare presents the reader with three main females characters: Desdemona, Emilia, and Bianca. The males of this society view women as possessions. For instance, Iago appears to think that “it is thought abroad that ‘twixt my sheets/He’s done my workplace” (I. 3. 381-2). This suggests that Othello has actually slept with his other half; however in truth, Iago shows little affection towards her. Simply the thought that “the lusty Moor/hath leaped into [his] seat” drives Iago to madness (II. 1. 286-7). With this viewpoint, Emilia is stripped of her humankind as her other half metaphorically explains her as his “workplace” and “seat. The females are evidently used by the guys to meet their desire, however this turns versus them as strong women begin to resist the requirements of this patriarchal society. A restricted number of people, such as Carol Thomas Neely, introduce the concept that Desdemona “is helpless due to the fact that her nature is considerably sweet and her love absolute”(Neely). However, while proclaiming her love for Othello “prior to the senators, she answers her dad’s charges powerfully and persuasively, without shyness or reticence”(Garner).

Desdemona proves to be a strong lady, who understands her desires and the techniques in which she will use to accomplish them. The women of this play fail to adhere to the widely known social standards of their gender function. Emilia “combines sharp-tongue honesty with warm affection”(Neely). With her understanding of human mentality, Emilia does not fail “to discern her spouse’s true nature,” as some scholars think, however actually ends up being suspicious of his actions, never avoiding revealing his plans ().

It appears that Bianca enables her “jealousy over Cassio [inspire] her every word and action,” however she remains real to her love and does not let her role in society determine her romance (Godfrey). These females get rid of the gender stereotypes through their long-lasting audacity, prevailing knowledge, and sensible position on relationships. Below the manly facade of Othello, lies a powerful matriarchal existence. Male bonds and their power are eliminated by romantic love. John Alexander Allen wrote about how “Shakespeare’s women utilize and control sexuality, while his men can not”(Allen).

The males of Othello permit their feelings to be deformed triggering their ignorance and confusion throughout the majority of the play. On the other hand, the women preserve their assurance in love. In a “male-oriented world,” many “threats, inequalities, frustrations and constraints” exist, therefore the women adjust by keeping a logical mind in their relationships (Allen). A lot of critics appear mostly thinking about the relationship between Othello and Iago (Garner). Yet, as one takes a deeper look into Othello’s mind, one will find the immense power his spouse, Desdemona, holds over him.

Desdemona’s alleged affair leaves Othello compromised by heartbreak. Many represent the males of this play as the “personification of nerve, honor and power,” but Othello’s strength is threatened by letting his emotions overcome his senses (Allen). Garner accepts the concept that “as quickly as Othello’s jealousy and rage start to manifest themselves, Desdemona’s forthrightness and guts starts to desert her”(Garner). Nevertheless, even in the midst of her murder, Desdemona reveals virtue and sincerity as she continues to maintain her marital promises.

The loyal Emilia uses her insight to destroy Iago’s bond with Othello (Neely). This is an example of female intuition and logic dominating men’s mistaken belief of enthusiasm. Each male suffers for his errors in varying methods, however each effect leads back to females’s romantic superiority. The envious behavior of the males in Othello differs entirely from the trustworthy ladies. Carol Thomas Neely skillfully proves this point by representing the females as “devoid of vanity, jealousy, and competitiveness”(Neely).

Ladies, particularly Bianca and Desdemona, enjoy simply, and regard their partners while also preserving their ethical requirements. Throughout the play, men become compulsive over the idea of reputation; they lose sight of their sanity. The men often blame those inferior to them for their own actions (Neely). Nevertheless, the women “lack … the class consciousness” that seems to dominate the minds of the males. Unlike the guys, the ladies believe each other despite of their individual roles in society, never ever failing to protect their fellow women. Despite he actions of these powerful females, it is tough to argue with the fact that guys dominate the political and military part of this Venetian society. Some scholars suggest that Othello and Iago “assert their authority by addressing scenarios from a position of concealed power”(Zott). The males are at the top of their society and households. Their knowledge, such as Othello’s eloquent speaking skills, is unattainable by the ignorant ladies who serve as simply things in the eyes of guys (Zott). The critics who safeguard this standard mindset frequently “implicitly demean Desdemona,” in addition to the other ladies of the play (Neely).